Monthly Archives: May 2016

New Duology Coming from Veronica Roth

carvethemarkNow that the Divergent series has concluded and the movies are almost complete, bestselling author Veronica Roth is set to release a new series.

According to Entertainment Weekly, this one is a duology. Carve the Mark is due to be released January 17, 2017. The first book in the duology, Carve centers around a galaxy where “some are favored by fate [and] everyone develops a currentgift, a unique power meant to shape the future.” Sound familiar? Yes, it sounds very similar to the faction system of the Divergent books. Especially the further explanation that the two main characters’ gifts “make them vulnerable to others’ control.”

Since the final book in the Divergent series (Allegiant) is often regarded as the worst of the series, I wonder if Roth’s writing of a similarly themed series might be her way of redeeming herself, since here, she’d be able to write a more satisfying ending than that of the Divergent series.

Either way, it’s sure to be a hit, since her first YA series clearly put her on the map, and writing a two-story series may work in her favor, considering how rundown the YA scope is with trilogies.

 

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Show vs. Book: Ragtime

America at the start of the 20th century was a crazy time that involved a fair amount of ragtime music, vaudeville and racism — lots and lots of racism. All that is portrayed in the story of Ragtime, which follows the collision of an upper class family from New Rochelle, a family of immigrants and a family of lower class African-Americans.

Side stories along the way detail the atrocities and everyday happenings the nation faced at the time, including the murder trial of Evelyn Nesbitt’s husband, the richness and oddities of JP Morgan and Henry Ford and the up-and-coming magic of Harry Houdini.

But the story truly takes off when Mother — the mother of the upper class family — finds an African American baby in her yard and takes it in. Soon, the child’s mother, Sarah, follows and stays in Mother’s home with her family until she can handle taking care of her baby. While staying with the family, Sarah’s ex-lover, Coalhouse, visits everyday in an attempt to win Sarah back and spend time with his son. Coalhouse is a well-known African-American, ragtime pianist whose car is then trashed and vandalized by the city’s firefighters. It’s enough for Coalhouse to completely erupt and damage the lives and relationships around him until his world spirals and crumbles, leaving all other nearby players to pick up the pieces.

There are too many characters and subplots in the book to detail here, but suffice to say the musical does a wonderful job of zeroing in on the most important and exciting parts of the story and bringing them to life. The novel’s beginning is bogged down by the story of Evelyn Nesbitt, which becomes irrelevant by the end. The novel also includes a lot of details about Morgan, Ford and Houdini. While interesting and helpful in setting the tone of the time, they also don’t do much to move the story along. The musical smartly cuts a lot of this and instead focuses on the Coalhouse storyline, which is the most heartbreaking and also the most socially-conscious.

Because of the visual aspect of the show — the sets, the silhouettes — the story’s symbolism also becomes much more apparent than in the book. The musical, for instance, makes a clear distinction between the immigrants, the upper class white people and the lower class black people. The silhouettes, which are only mentioned in the book as an art form, are used throughout the show and acknowledge the show’s theme: that color and race should not be the most important thing about a person.

Ragtime, the novel, was enjoyable, until I saw the show and saw how much more focused it was in its storytelling — and the incredible music didn’t hurt either.

Get Ragtime in paperback for $10.

Or on your Kindle for $11.99.

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Bryan Cranston To Release Memoir This Fall

“I am the one who knocks” on your…bookshelf? That’s right. Actor Bryan Cranston, who played the infamously beloved Walter White on five seasons of Breaking Bad, is set to release a memoir, A Life in Parts, October 18.

According to Entertainment Weekly, it will includes sections about his most famous roles, including Walter White and the dad on Malcolm in the Middle, as well as sections about his real life.

The best part, though, are the front and back covers of the memoir, which portray Cranston’s uncanny ability to be seemingly friendly and seemingly ferocious. (Truth be told, my fiance and his family ran into Bryan Cranston a few years ago in New York City and said he was extremely friendly.)

Aside from being a big Breaking Bad fan, I have always been fascinated by actors who can vacillate between comedy and drama, as well as those who hit their prime later in life like Cranston did. Coming off one of the most best television series in recent memory, Cranston’s memoir is sure to sell well.

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Review: Year of Yes

year-of-yes-9781476777092_hr-476Recap: When Grey’s Anatomy/ Scandal/ How to Get Away With Murder writer/ creator/ producer/ extraordinaire Shonda Rhimes realized she said “no” a lot, she decided something needed to change. Her sister had pointed out to her during Thanksgiving a few years ago that Shonda Rhimes, the woman who runs ABC’s Thursday night TV show lineup, may have been saying “yes” to more work and more amazing shows — and for that, we are forever grateful — but she wasn’t doing much for herself or her children. When she came to this shocking revelation, she decided that for one year, she would say “yes” to anything and everything that scared her.

And she so wonderfully documented it all for us. She said “yes” to attending events and giving speeches that she would normally turn down without hesitation. She said “yes” to watching what she ate and taking care of her health for the first time in years — and lost a ton of weight doing it. She said “yes” to doing what she wanted, even if that meant losing some friends along the way and ending a relationship. She said “yes” to playing with her children more often. She said “yes” to getting help from a nanny. And then she said “yes” to putting it in a book so we could learn the ways of her almighty awesomeness and badassery.

Analysis: My telling you many of the things Shonda Rhimes said “yes” to does not ruin the book in any way because this book is about so much more than saying “yes” to your fears. It’s about finding yourself and growing up, even when you think you already have. Year of Yes is a unique combination of memoir and self-help book that not only inspires, but energizes. I learned so much about Shonda Rhimes’ life and world, including all the fun details and anecdotes I’d hope for from any memoir. She writes a lot about her family, her career, and her kinship with the character she created, Christina Yang. But I also found that I had some of the same fears as Rhimes does, the same fears that many women have.

This book taught me how to take a compliment (because I deserve it!), and it taught me that difficult conversations are important to have, even if you think you might lose a friend (he/she probably wasn’t a very good one anyway!). I gained a new outlook and perspective from this book. And what’s better: it’s written in the very way Rhimes writes her TV shows. It felt familiar. Rhimes felt like my friend. It was like I could hear Ellen Pompeo as Meredith Grey or Kerry Washington as Olivia Pope saying certain sections of the book out loud. It became clear to me how much of Rhimes’ personality comes out in her TV characters, so it was nice, for once, to see her come out of her shell through this book instead of hiding behind one of her characters.

MVP:  Shonda Rhimes. Publishing a book like is courageous. I couldn’t help but think of all the formerly close friends of hers buying this book and reading the sections about them. Putting it all out there is a scary thing. It is the ultimate “yes,” and Rhimes astounded me by doing it.

Get Year of Yes in paperback for $8.46.

Or get it on your Kindle for $12.99.

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