Recap: As a deaf man in 1930’s Georgia, John Singer is grateful to have his one friend, Spiros. But when Spiros, who’s also deaf, also becomes mentally ill and is moved to an asylum, Singer is on his own. He moves into a room in a house filled with a family and several other renters. His world widens as he is befriended by the young daughter who lives in the house, Mick, a black doctor, Dr. Copeland, an alcoholic labor activist, Jake and a local bar owner, Biff.
The Heart is a Lonely Hunter sets the format for what so many books, movie, and TV shows have come to do since: weave together the stories of several different people who are each connected somehow. (Think Love Actually.) But this is not actually a story about love. It’s about loneliness. Each person is reaching out, in search of a friend who will hear them. There is a lot of directed irony in that the only person Mick, Dr. Copeland, Jake and Biff can find who will listen to them and their problems is a deaf man who literally cannot hear anything they’re saying.
Analysis: With a fairly windy plot, I found The Heart is a Lonely Hunter difficult to get into. But as the story deepens and more hardships are thrown at the characters, it becomes easier to find yourself somewhere in the story.
Lonely Hunter is absolutely not a bad book, but it’s certainly a sad one. Each of the characters is an outcast, trying to figure out where they belong. They struggle with their loneliness and lofty goals. Spoiler alert: the loneliness defines them so much that none of them actually achieves their goals. It’s a haunting tale that makes me particularly disappointed when I realized none of the characters really grew from what they went through. Each of them wallows so much, they wind up being just as miserable at the end of the book as they are in the beginning.
But this is not a bad decision. It’s a real one. It’s one seen everyday if you simply look around and talk to people. There are many lessons to be learned from Lonely Hunter.
MVP: Portia. Though a more minor character in the book, she not only serves as a maid to Mick and her family and is Dr. Copeland’s daughter. She is the only truly strong, empowered character in the book only more emphasized by the fact that she’s a black woman in the 1930’s working as a maid to a white family. She is dealt with hardship too, but she rises above and tries to help all those around her rise too.