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Movie vs. Book: IT

41acskyedwl-_sy346_Contributed by Michelle Baker

**SPOILER ALERT: This review includes spoilers from both the movie and novel IT. Consider yourself warned. 

Over a thousand pages long, IT is more a story about the importance of true friendship and unity in the face of evil than it is a horror novel. The story follows seven friends in 1950s Maine who label themselves The Losers. They find solace in one another, and together they find a place to escape to, where they can be themselves. But there is something evil in Derry, and they have all seen something that has absolutely terrified them. One is chased by a giant bird, another a mummy; the girl hears voices down her bathroom drain and is subsequently met with a deluge of blood from said drain. The adults don’t see these things, so they don’t understand what scares the kids so much. 

The story is told in two intersecting parts: flashbacks of the Losers in the ‘50s and the Losers coming back to Derry as adults almost thirty years later. They are called back by Mike, the one member of the group who stays behind to keep an eye on the evil. He soon realizes that they didn’t defeat It as kids, and the only way to stop  children from disappearing or turning up mutilated is to fight It again. Once together, they acknowledge  working together to defeat It is the only way to save their hometown.

My initial thought about the movie is that Bill Skarsgård gives an incredible performance as my new biggest fear. But director Andy Muschietti also makes a few alterations to the novel, particularly by not cramming the entire novel into one movie: Chapter 1 is only about the children, and Chapter 2 (which will be released in September 2019) will be about the adults. By doing this, he ensures that the character development isn’t rushed or forced.

That said, there are also uncomfortable changes like shifting Mike’s purpose as historian and watchmen to Ben in the movie. In the novel, Mike is the only son in the town’s only black family. Mike grows up learning the stories that taint Derry’s history from his father and informs the kids of the cycles of evil. He continues this tradition of historian into adulthood as the one who calls the group back when the patterns reemerge. But in the movie, Mike doesn’t come into the action until almost halfway through the movie, and the information about Derry’s grisly past is provided by Ben. Mike merely seems to serve as “the token black kid” in the movie, and it’s awkward. 

Another big change involves one of the most controversial scenes in King lore: Each of the kids in the Losers possesses a strength, and when they are together, these powers are almost unstoppable. After they battle It for the first time as kids, they try to leave the sewer system but find their powers weakening. As a way to reunify and gain back their powers, Bev suggests all six boys in the group have sex with her. There aren’t enough words to describe how uncomfortable this was to read. The thought of this girl losing her virginity to her six best friends in the sewers of her hometown after battling a centuries-old evil creature made me feel privy to something extremely sensitive. 

But I do, in a strange way, understand King’s logic. The overall message of the book is the complexities of navigating the transition from childhood to adulthood, and it is clear in this scene that the “It” the kids ultimately face is not a clown, mummy or  bird, but being a grown up. And what’s more “grown up” than “doing it”? Sex is weird and messy, as is this scene. I concluded King chose this as the method of unification because what we don’t understand is scary. Bev Marsh doesn’t understand why this act will unite them, but she just has a feeling that it will. And she’s right. They make it out of the sewer, agree to come back if It ever does, and go home as if nothing happened.

The movie, thankfully, does not depict a multiple child sex scene, but instead offers up a reduction of the strong female character in the group to a damsel in distress. Bev is taken by It to the sewer where she catches a glimpse of It’s Deadlights–supernatural lights that cannot be comprehended by the human mind and that can drive the viewer of them to insanity. As a result, Bev is stuck in a catatonic state floating in It’s lair. The boys band together to save Bev and fight It, and Bev is awoken from her stupor by a kiss from Ben. (Seriously, why did all of the important elements of the story get shifted to one character?!)

While I am glad the scene was altered, there is something to be said about the printed Bev. In the novel she is strong, capable of making decisions, and is the one to get the group to focus on their shared goal when everything seems to be going wrong. In the movie, she is just a girl who needs rescuing. She is not taking control over the situation, nor is she coming to understand the power that she holds as a woman. She is filling the Hollywood script mold of Girl in Trouble.

Stephen King, who raised by his mother and aunts, has always had a knack for creating strong female characters with whom one can empathize and relate. Bev in the movie is only strong when she is flirtatious, which is a far cry from what King created. The movie was a great interpretation of the text, full of shocking, scary, and thought-provoking scenes and special effects. However, considering the changes made to some of the novel’s substantial characters, I would have preferred if the credits said “Loosely Based on the Novel by Stephen King.”

Get IT in paperback for $13.16. 

Or get it on your Kindle for $11.99.

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Movie vs. Book: Inferno

**Note: This post does include spoilers about both the novel and movie versions of Inferno. 

Robert Langdon wakes up in a hospital. He has been shot, doesn’t realize that he’s in Florence, Italy — and not Boston, Massachusetts — and doesn’t remember anything that’s happened in the last 48 hours. So begins Inferno, the latest and easily one of the best of Dan Brown’s bestsellers conspiracy thriller novels that have been captivating readers since The Da Vinci Code was released.

In the latest adventure, Langdon teams up with his nurse, Sienna Brooks, and finds a projector in one of his pockets that displays Botticell’s Map of Hell. He knows that whatever reason he’s in Italy, it must have something to do with this map. Over the course of the novel, he discovers that he has been brought to Italy by the World Health Organization to solve a puzzle, whose answer indicates the location of some kind of virus or plague created by a billionaire geneticist named Bertrand Zobrist. Zobrist is well-known for his teachings against overpopulation, so it makes sense he would create a plague that would wipe out the population.

The reason why I believe Inferno was such a successful Dan Brown novel is because it veered far from the others, avoiding the format we’ve come to expect from a Robert Langdon novel. Langdon wakes up and not only has to solve the puzzle, but his amnesia is so bad, he doesn’t even know why he’s solving it!  The young ingenue with whom Langdon teams up is actually working against him! And what’s more — he does NOT solve the puzzle in time! The plague gets out after all. The end of Inferno is not only sad, it’s unsettling and alarming.

The movie followed the book so well until the moment when the characters arrive at the Hagia Sofia in Turkey, where the plague is expected to be released. The movie ends there. Langdon locates the soluble bag that contains the virus, Sienna is killed, and the WHO gets the bag before it dissolves and leaks out the virus. The novel, however, has much more story. We find out that yes, Sienna Brooks was working against Langdon, but she also wants to stop the virus from getting out and is essentially a good person. In the novel, they also learn that the virus had been released a week earlier anyhow, so the chase that led them there was irrelevant; it’s already out. The good news is that the plague is not a deadly one, but one that causes sterility.

It’s obvious why the movie adaptation’s ending is so different. Everyone wants a Hollywood ending. The idea of the movie ending with a sterility plague released is horribly pessimistic. Not to mention, viewers would condemn the fact that Langdon wasn’t really much of a hero after all. On the other hand, the book ending the way it did totally works. Sure, it’s unsettling, but it makes you think. People watch movies to make them happy. People read books to make them think.

Get Inferno now in paperback for $7.40.

Or on your Kindle for $9.99.

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Movie vs. Book: The Girl On the Train

Rachel cannot move on from her former life with her ex-husband, Tom. She drinks. She rides the train past his home and stares. She is so depressed that she not only stares at her old house with her former husband and his new wife, Anna, but she also stares at the house a few doors down — the one where a seemingly happy couple lives and reminds her how awful her life has become.

So when Rachel learns that the woman who lives there, Megan, has gone missing, she becomes shocked and then later, obsessed. She cannot understand what would cause Megan to run or someone to do something to her. But soon, Megan’s body is found, and it is announced that she was pregnant when she was killed. Rachel cannot move on from this story and quickly inserts herself into the world of Megan and her husband.

What starts as a story about sad women turns into a thriller and murder mystery. It’s one of hte best in recent years. In fact, it was famously referred to as “the next Gone Girl” when the book was first released last year. That explains why it didn’t take very long to be made into a movie — and with an outstanding cast at that.

Luckily, just like the “Gone Girl” movie, the movie version of “The Girl On the Train” lives up to the book. It follows the book to a tee, even down to the rotating narrators of Rachel, Megan and Anna. Title screens appear throughout the movie to explain whose perspective we’re about to see and during what time it’s happening, just like the start of each new chapter in the book.

The movie of course leaves out a few things including  Rachel sleeping with someone involved in the investigation (probably because it’s too intertwined and mildly disgusting) and Anna’s obsession with being a mistress (also off-putting in the novel). But the movie felt a bit long as it was, and including those plot points that weren’t entirely vital to the story would have only made the movie longer.

For all my worry that Emily Blunt was “too pretty” to play the frumpy, alcoholic Rachel who’s let herself go, Blunt’s acting was exceptional. It’s a role unlike any other she’s played, and it hooks the audience in her character’s first drunken scene. Justin Thoreaux, too, is excellent in his maniacal role, and the movie includes just the right about of suspense and sexiness.

Get The Girl On the Train in paperback for $9.60.

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Movie vs. Book: Miss Peregrine’s Home for Peculiar Children

It’s a book I loved so much that I not only read it, I also listened to it to re-read it in preparation for the release of the movie version. Miss Peregrine’s Home for Peculiar Children is a YA novel that doesn’t read as particularly YA — a story about a boy who, grappling with the death of his grandfather, takes a trip to the small town in the UK where his grandpa grew up, only to find that his grandfather lived in a special home with a magical nanny and peculiar children who all have their own special power or gift. The boy goes on to battle the evil creatures who set out to attack these peculiars, especially after learning that not only was his grandfather a peculiar, but so is he. The fantastical setup of the novel is something that stimulates the mind and fills it with magical imagery and hope that good and weird will prevail over evil.

The movie version of Miss Peregrine starts off the same way but by the end, it takes the story so far off course, it’s practically out of reach. The movie speeds up much of the exposition of the novel, quickly getting to the boy taking his trip overseas. Likewise, not much time is really focused on the home, Miss Peregrine or the peculiars. It feels like the movie is more or less going through the motions, speeding up the story to squeeze it all in.

There are a few odd changes that don’t seem to serve a purpose. For instance, the powers of two of the peculiars are switched. The way the boy enters the world of the peculiars is also a little different from the way it happens in the book. He’s also told outright why certain things are happening, rather than him putting two and two together and figuring it out himself like he does in the book. As these changes happened, they stood out to me. But in retrospect, they are nothing compared to the end of the movie.

In the novel, Miss Peregrine is taken captive by the evil Wight named Barron, but in the movie she more or less turns herself in as a way to sacrifice herself for the children. The novel ends on this cliffhanger as the boy decides to stay with the peculiars, fight Barron and help save Miss Peregrine.

But the movie keeps going for probably another half an hour of additional plot that never existed in the book. I have not yet read Miss Peregrine’s sequel, Hollow City, so I’m not sure what, if any, of the end of the movie may come from that book, but the end of the movie includes a crazy fight scene between the peculiars and Wights, all happening in public with cotton candy and carnivals techno music pumping in the background. The scene feels like it’s jumped in from a different movie. Not only this, but everything — yes, everything — is solved at the end. No cliffhanger. Nowhere to go from here.

There’s little to no room for a movie sequel. Maybe the producers never planned to make one, so they packed it all into this one movie. But as someone who’s only read Miss Peregrine and plans to read the sequels that follow it, it was completely disheartening to see the entire story wrapped up in a tiny bow. The magic of the book is lost in the movie, and there’s nothing peculiar about that. It happens. But it doesn’t make it any less sad.

Get Miss Peregrine’s Home for Peculiar Children in paperback for $7.20.

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Movie vs. Book: Me Before You

me before youWhen Louisa Clark loses her job as a waitress, she is struggling to figure out what to do next. Her family relies on her and the money she brings in to support them, especially since her father’s been out of work. She goes through a ton of crazy jobs before finally landing a six-month deal as a caregiver for a paraplegic man named Will. Will is a bitter, condescending man who was paralyzed from the neck down in a crash two years earlier. Prior to that, he was an active, adventurous, wealthy man who had want for nothing. Within a few days, Louisa learns she’s mostly been hired to cheer Will up — a seemingly impossible task.

After several months and finally making some headway in terms of cheering up Will, Louisa learns there’s a reason she’s only been signed to a six-month contract. Will doesn’t think his life is worth living, and she makes it her mission to prove otherwise — to show him how he can live a fulfilled life despite his disability. Louisa has a boyfriend, but they eventually break up as her feelings for Will become stronger. But will her plans for travel and deep love for Will be enough to convince him to stay alive?

Me Before You is a beautiful romance novel that also deals with the issues of the disabled, doctor-assisted suicide and learning to live life to the fullest. While Louisa is busy trying to show Will how grand life he can be, he’s the one to actually do that for her — the story turning around on itself. It’s a truly moving book, and the movie is just as emotional and effective.

Sam Claflin as Will and Emilia Clarke as Louisa have ridiculous on-screen chemistry, and while Emilia Clarke’s acting at the beginning of the movie includes some serious over-acting, she grows on you as the movie continues. In the movie, her character is also more perky, quirky and silly than she is the book. Having read the book before seeing the movie, I initially found that kind of personality off-putting, but that, also, grew on me. I realized that where the book could sometimes be incredibly dark, the movie lightened things up a bit. The movie also does a good job of excluding the some of the other darker undertones that both weren’t necessary and didn’t really seem to fit in with the novel anyway — like Louisa’s dark past and the secrets held between Will’s parents. The movie also ends the relationship between Louisa and her boyfriend a little earlier — something for which I was grateful, considering her boyfriend is horrible.

The movie Me Before You is certainly this year’s version of The Fault in Our Stars, and luckily for viewers and readers both the book and movie live up to the romantic, tear-inducing story we all need every once in a while.

Get Me Before You in paperback for $6.73.

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Movie vs. Book: Allegiant

allegiant-by-veronica-roth**Spoiler Alert: this is your warning that if you have not read the actual book, you might not want to read the following review. Spoilers are included. 

Let me start by saying this: Before seeing Allegiant in theaters, I was not aware that producers decided to split final book in the Divergent series into two movies. So naturally, I was shocked at the state in which the movie ended — clearly setting it up for a fourth movie. That said, the movie adaptation of the final novel in the Divergent series was terrible.

Allegiant is one hell of a book. I was skeptical when I started reading it since I was told by many that the third book in the series was the worst because of something Tris does. Her self-sacrifice in the novel’s third act was a bold move by author Veronica Roth, no doubt. So it’s understandable that readers — especially YA readers that the book targets — would be upset by the dark, sad ending. But I found her actions to be brave and powerful — those of a true tragic hero, sacrificing herself for the greater good, despite the dangers that lie in her wake.

In addition to that, the multiple rebellions and serums in the novel make Allegiant sometimes confusing, but mostly exciting and overwhelming in the best way. For the first time, parts of the novel are told through Four/Tobias’s voice instead of solely Tris’s, and he faces his own dark plot line. Both their stories move with power.

While the Insurgent movie changed some things from the book, the Allegiant movie changed almost everything. In fact, I wouldn’t even call it an adaptation, but rather a movie “loosely based” on the novel by Veronica Roth.

To start, characters Cara and Uriah are cut from the movie, which thereby means the entire “Four accidentally putting Uriah in a coma because of the explosion he helped plan against the bureau” storyline is cut from the movie. That is a huge part of the novel, so it was extremely disappointing to see it  left out of the movie. The movie also made the bureau headquarters much more futuristic than the raggedy image that’s portrayed in the book. The movie also makes it seem like it was Tris’s idea to form the Allegiant, when it’s actually Johanna’s idea — a device to make Tris even more heroic, I imagine.

The movie also adds things the book doesn’t include. For instance: Tobias’s father receiving the memory serum; Four participating in a group that helps bring children from the fringe back to the bureau; a head council to which David must report; and the characters having jobs and duties within the bureau. Some of these changes may seem minor, but because of them, other plot lines and character motivations in the movie had to be adapted, and suddenly it was hard to tell where the story was going since it veered so off course from the novel.

It’s a shame the Divergent movies have increasingly gotten worse and are now out of touch with the great novels upon which they’re based. But if this weekend’s poor ticket sales are any indication, maybe producers won’t make Allegiant Part Two after all and save us the disappointment.

Get Allegiant in paperback for $7.92. 

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Movie vs. Book: Whiskey Tango Foxtrot

tina-fey-whiskey-foxtrot-tangoKim Barker has a fine life — boring, but fine. She works for a newspaper. She has a boyfriend that she might, kind of like. She’s in her 30’s, but she’s as lost as a teenager. Then 9/11 happens. Suddenly, she has found new meaning. She’s going to Afghanistan to cover the war on terror for The Chicago Tribune. 

Kim Barker’s memoir of her years covering the war in Afghanistan — or as she calls it, The Forgotten War — is as real as it gets. It’s full of bombings, political corruption, shootings and journalist kidnappings. But hers is also the story of “Kabul High” as she likes to call it — partying, heavy drinking and drugs, competition amongst reporters, adrenaline rushes, hookups and backstabbing. She tells the stories we don’t expect to be happening between reporters and their sources and reporters amongst themselves. But it does happen. It’s the rush of it all that sucks Kim in to the Middle East and keeps her from returning home to the U.S. for more than six years.

In Barker’s memoir, she tells her story in vignettes — an interview with a warlord here, a failed vacation with her boyfriend there, but there’s no plot, per se. It’s more of a diary of her experiences abroad and a depiction of her inability to leave what’s become her new home.

The movie, however, changes that, and that may be for the best. Tina Fey as Barker is a perfect fit — a little bit of hot mess, but still focused on her work and a good woman overall. The movie adds a little drama to the story — making the several journalist kidnappings at the end of the memoir the main plot of the film, when it happens to a boyfriend of Barker’s who never actually existed in real life. In fact, the movie combines several of the men in Barker’s life into one hunky journalist boyfriend. It also creates a fellow female journalist with whom Barker has a competitive frenemy relationship. The movie also makes Barker a TV journalist. All of this does nothing, but add plot and pizzazz.

While typically, I like a movie to stay true to a book — especially if that book is a memoir, in this case, I thought the movie did a good job in adding what the book lacked. The memoir — while interesting — is dense and gives a lot of descriptive detail about Afghanistan, Pakistan and Iraq. Some sections are hard to get through, especially as I sometimes waited for a juicy plot twist. A movie without a focused story wouldn’t have been good as a movie. So in this case, the movie is more of an interpretation of the memoir, with juicy plot twists. The book’s juicy plot twist was the overall journey and how it changed Barker’s life.

Get Whiskey Tango Foxtrot in paperback for $11.96. 

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