Tag Archives: romance

Review: The Light We Lost

Recap: Can you really blame Lucy? It’s not entirely her “fault” she fell obsessively in love with Gabe. It was an impressionable age, an impressionable time, an impressionable place and period in history even. New York City, September 11, 2001. A chance meeting in class at Columbia followed by a tragedy at a level the city had never seen before. Lucy and Gabe ran together, watched the city go up in smoke and kissed. They needed a glimmer of hope and found it in each other. They needed to believe this wasn’t the end and that while everything broke around them, they could still find something fresh, beautiful and new. And yet. Gabe had a girlfriend. Or an ex who kept them from really exploring the relationship until more than a year later.

By then, they’d considered it a sign. And they were off and running, falling madly, deeply in love with each other in only the way people can when they’re under the age of 25 — romantic to the point of cheesy and incredibly lustful.

Which is why when they break up, Lucy defines break. She falls apart into a million pieces, unable to function or move on. September 11th inspired Gabe to travel to the Middle East and find work as a photojournalist. It was the only thing he felt he could do in response to the terror attacks of that dreaded day. But Lucy couldn’t bring herself to go, and Gabe couldn’t stay.

Lucy eventually finds solace, comfort and ease in Darren. They marry. They build a life together. But Gabe is always there, even when he’s not. The years pass and the more she thinks about him, the more confused Lucy becomes about what Gabe means to her and if their love was ever real at all.

Analysis: From page one, Lucy takes the reader full-throttle into the depths of her heart and mind. She speaks in the second person to “you,” an unusual choice. We don’t immediately know who “you” is but very quickly learn it’s a guy (insert heart-eyes-smiley emoji here). It takes the entire book to find out why she’s speaking in the second person to him, and when we finally do, it’s shocking and desperately sad. But in its completely depressive state, we — and Lucy – finally realize who means what to her. It’s a formatting and narrative decision that really pays off in the end, and throughout the book. Author Jill Santopolo does an excellent job of foreshadowing and dropping just enough hints and clues to force me to turn the page.

The book less has a plot than it really just follows Lucy throughout 13 years of her life, but it’s compellingly written and has unexpected twists and turns, even though that seems like something appropriate for murder mysteries. I felt so in tune with who Lucy was and what she struggled with that I simply devoured the book. Her feelings of first love are nostalgic and relatable for any reader. Each person I know who has read this book has said the same thing: “it’s sad, but it is the most honest portrayal of first love I’ve seen in a book” and THAT is powerful.

MVP: Lucy. She’s complicated, and I didn’t always agree with her decisions or actions, but she’s also like anyone else: just trying to figure it out along the way and doing the best she can given the circumstances and curveballs thrown her way.

Get The Light We Lost in paperback for $11.77.

Or get it on your Kindle for $12.99.

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Review: The Girls in the Picture

Recap: It’s the early 1900’s and Frances Marion isn’t sure what she wants, but she knows what she doesn’t want. She no longer wants to be married to a man she doesn’t live in San Francisco, a city that does nothing for her. So she moves to Los Angeles just as the movie industry starts to develop. She is fixated on somehow being a part of the world of cinema, but isn’t sure how. Until she meets Mary Pickford. And that’s when everything changes. 


The two quickly become best friends. Mary works toward a career in acting, while Frances soon finds herself writing screenplays. In the 1910’s and 1920’s, they are unicorns: women in the film industry. But they have the support of each other to keep working toward their dreams. They promise to never let men get in the way of their friendship. 


But it’s a promise made at too young an age to keep. When Mary falls in love with an already-married actor and Frances finds the perfect husband, Mary and Frances begin judging each other and the choices they’re making. As they stop supporting each other personally, they stop supporting each other professionally too. But will the different directions their lives are taking them ultimately bring them back together?


Analysis: I knew this was a historical fiction novel from the beginning, but didn’t know until midway through the book when author Melanie Benjamin started name-dropping other celebrities that Mary Pickford and Frances Marion were real women, and this was their true story, written in a fictionalized view, making the story all the more interesting. 


But more than anything else, the story is relatable. Every woman goes through ups and downs, even with their closest girlfriends. Every woman goes through ups and downs professionally. It’s a timeless story of women trying to balance friendship, work and love in modern times.


But their story is also timely. Historical fiction has a way of showing us how much and how little things have changed over the years. The film industry has changed immensely since it began in the 1910’s. All movies are “talkies” now, and shot in color and digital and the list goes on and on. But the #MeToo era proves that the painful experiences that women in film face — sexual harassment, pay disparity and lack of respect, power and opportunity — live on even after more than 100 years. 


Both tragic and beautiful, The Girls in the Picture gripped me so deeply, I couldn’t stop talking about it or recommending it to any woman or any fan of movies. 


MVP: Frances. Though stubborn in her ways and often judgemental, she is far more realistic than Mary about her role in the world. That gives her the ability to see clearly and realize when she has to take a step back from certain parts of her life. 

Get The Girls in the Picture in hardcover for $12.08.

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Review: The Storyteller’s Secret

Recap: It’s after Jaya’s third miscarriage that her marriage falls apart. A journalist in New York, she is at a loss. She no longer has her husband to turn to for support, and her relationship with her mother has always been difficult, lacking love and support. It’s around this time that Jaya learns the grandfather she never knew is dying. He lives in India, where her parents were born, but her mother has no interest in returning home to see her father. Confused and alone, desperately seeking comfort and support in her family, Jaya decides to visit India, to get away from her own problems and to meet her grandfather and learn why he sent her mother away to America many years ago.

By the time she arrives, he has already passed. Inside her mother’s childhood home, she instead finds Ravi, her mother and grandmother’s servant. Ravi welcomes Jaya instantly and over the course of several weeks shows Ravi around India and tells her about her grandparents. It’s a long saga about love, secrets and finding one’s own path. It’s a story that even Jaya’s mother knows nothing about. It’s a story that changes her perception of her life, world and family forever. In looking to the past, Jaya is able to better understand her present and re-shape her future.

Analysis: In its simplest form, the plot of The Storyteller’s Secret sounds like the start of Eat, Pray, Love: woman’s life falls apart, woman sets out on journey across the world, woman finds herself. But Secret also adds the element of the past. The story also changes time periods and storytellers, switching back and forth between Jaya and her grandmother, Amisha, decades earlier. It gives the story an extra layer of depth and mystery that the read is dying to uncover. I found I could not put this book down, desperately wanting to know what happened in Jaya’s family history and how it affected her today.

The title of the book is a reference to so much storytelling that’s happening here: the narration from both Jaya and Amish, the story of Jaya’s past as told to her by Ravi, and the storytelling that Jaya does as a journalist and that her grandmother used to do as a writer and writing teacher. The parallels between Jaya and her unknown grandmother are beautiful and help to deepen the bond between Jaya and her mother. The story is moving in its statements about different cultures and especially womanhood: relationships between women, the strength of women and the sacrifices they make for their families.

The Storyteller’s Secret is a powerful, unstoppable read that makes you laugh, cry, think and feel. A truly excellent story.

MVP: Ravi. While the women are the focus of this book, Ravi may be the real star, the glue that binds together the woman of generations past and present, telling the stories that Amisha is unable to tell in her death. His generosity and love knows no bounds.

Get The Storyteller’s Secret in paperback now for $8.97.

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Lara’s Top Picks of 2018

20181231_144316.jpgWelcome to my eighth edition of “Top Picks!” Easily one of my favorite blog posts of the year, this is where I tell you about the ten best books I read this year. Again, this has nothing to do with what year they came out. In fact, I’m pretty sure only one of the books I read this year was published in 2018. For a list of the best books published this year, check out The New York Times annual Notable Books list. For now, here are the best books I read this year (followed by the complete list of all the books I read this year).

10. Option B by Sheryl Sandberg and Adam Grant. After my dad passed away, this was the perfect book to help me out of my slump and come to terms with my grief. Sheryl Sandberg is not just a Facebook COO here. She is a woman navigating loss like so many of us have. If she can do it, we all can, especially with her tactile, concrete advice. Buy it now. 

9. The Lost Family by Jenna Blum. It’s a novel that spans 30 years and three generations of a Jewish family in New York and New Jersey in the years post-WWII. The patriarch lost his first family in the war and starts a new one with an aspiring model. It’s a book that I really enjoyed when I read it, but since I finished it, I simply can’t stop thinking about it. Buy it now.

8. One More Time by Carol Burnett. Both an in-depth look at the iconic comedianne’s life and a book about life lessons, One More Time is a memoir that almost feels like a self-help book. There is so much to be learned from this strong woman who overcame trauma, failure and poverty to become the icon she is today. Buy it now.

7. Cujo by Stephen King. It’s scary to think that it took me this long to read a Stephen King novel (yes, it was my first!!), but everyone told me this was one of his best and it did not disappoint. More thriller than horror, Cujo brilliantly jumps between characters I legitimately cared for while making a dog scary to me for the first time in my life. The ending is something to be both celebrated and mourned — a bittersweet juxtaposition that makes the read all the more complicated and engrossing. Buy it now.

6. 10% Happier by Dan Harris. Dan Harris single-handedly got me interested in meditation, but it took me several years to finally read his book. Both memoir and self-help (is this a common theme here?), 10% Happier makes a case for changing yoru life and through meditation — even for the skeptics — while also telling tales of the fascinating network newsman life he leads. Buy it now.

5. Crazy Rich Asians by Kevin Kwan. Set on reading it before seeing in the theater, I had high hopes for this one, and it surpassed them all. It was more than just a romantic story or an Asian story. It was also a funny store! So tongue-in-cheek in its prose and dialogue, it was a long book that turned into a quick read, and I’ve never been more excited to read a sequel. Buy it now.

4. Julie and Julia by Julie Powell. Julie Powell needed something in her life. She surprised herself by finding it in Julia Child’s famous cookbook. So she set her sights on cooking the entire book in a year’s time. The book details the true story of Powell achieving this crazy and kind of obnoxious goal, even while it tears much of the rest of her life to shreds. She is a hilarious writer who had me laughing out loud. But she also learns a lot about life and herself through the process, and so do we. Buy it now.

3. The Art of Racing in the Rain by Garth Stein. A story from the point of view of a dog, Racing is a more dramatic tale than I expected. But it’s refreshing perspective gives us hope in both dogs and humanity, proving that there is nothing more important than the bonds of friendship and family. It’s a grand story about life trapped in a doggie fiction novel in the most beautiful way. It left me breathless. Buy it now.

2. Call Me By Your Name by Andre Aciman. After seeing the sexy movie that so deeply resonated with me in its portrayal of first love, I found myself wanting more so I picked up the book the movie was based on. I was pleasantly surprised to find that the book is even better than the movie with more details, more sexiness, more teenage uncertainty and more finality. Oh, and the prose is supreme. Buy it now.

1. You Are A Badass by Jen Sincero. As I turned 30, I thought a self-help book would help me better round the corner. What I found in Badass is a swift kick in my badass that left me empowered. Jen Sincero’s real-talk and tangible tips allow for a true journey in confidence-building and goal-setting unlike I’ve ever experienced before. Buy it now.

Here’s a link to the New York Times 100 Notable Books of 2018. 

BOOKS I’VE READ 2018

In the Studio with Michael Jackson – Bruce Swedien

Damned Good- J.J. DeCeglie

Wonder – R.J. Palacio

Julie and Julia – Julia Powell

A Wrinkle In Time – Madeleine L’Engle

Call Me By Your Name – Andre Aciman

Soul Witness – William Costopoulos

Option B – Sheryl Sandberg and Adam Grant

A Load of Hooey – Bob Odenkirk

Emma – Jane Austen

Cujo – Stephen King

Ann M. Martin – Margot Becker R.

The Last Dropout – Bill Milliken

How to Love the Empty Air – Cristin O’Keefe Aptowicz

Strangers – Nigel Gray

Notorious R.B.G. – Irin Carmon

One More Time – Carol Burnett

On Becoming Fearless – Arianna Huffington

The Art of Racing in the Rain – Garth Stein

Choose Your Own Autobiography – Neil Patrick Harris

10% Happier – Dan Harris

The Gene Guillotine – Kate Preskenis

You Are a Badass – Jen Sincero

Crazy Rich Asians – Kevin Kwan

The Lost Family – Jenna Blum

Sharp Objects – Gilian Flynn

A Simple Favor – Darcy Bell

The Hate U Give – Angie Thomas

To All the Boys I’ve Loved Before – Jenny Han

The Heart Is a Lonely Hunter – Carson McCullers

The Day The World Came to Town – Jim DeFede

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Movie vs. Book: To All the Boys I’ve Loved Before

There’s nothing like a sweet teen romance, especially when it involves the uncool girl getting the cool guy. To All the Boys I’ve Loved Before fits this trope in a romantic, whimsical way while still remaining current and modern. Lara Jean, the hopeless romantic, always likes the boys she can’t have. To move on from them, she writes them letters that she has no intention of sending and hides them in a hat box in her bedroom. But when she upsets her little sister, her sister mails the letters, leading to the completely horrifying moment — especially for a 16-year-old girl — when all of your crushes past and present realize you’re in love with them.

In Lara Jean’s case, one of those boys includes the most popular guy in school, Peter Kavinsky. One of the others is her next door neighbor, Josh, who also just so happened to have broken up with her older sister after two years of dating. And so enters the love triangle.

In an unexpected twist, Lara Jean and Peter Kavinksy decide to fake date each other in order to make their “real” crushes jealous. To All the Boys I’ve Loved Before is essentially the plot of the 1990’s teen movie, Drive Me Crazy.

The movie version of To All the Boys (available on Netflix) follows the storyline of the book fairly well. But of course it makes a few changes — some for obvious dramatic flair and others that were surprising. For instance, in the book Lara Jean and Josh kiss, and when Lara Jean’s sister finds out, it results in a huge blowout. But the two never kiss in the movie. Maybe producers felt it was too harsh of her to have kissed her sister’s ex-boyfriend. Or maybe they thought it was a more streamlined story to document just one relationship and not a love triangle with a third party. Whatever the reason, it seemed odd to leave out the kiss since in the book, that really heightened the stakes.

The bigger change comes at the end of the movie. In both the book and the movie, a rumor circulates that Lara Jean and Peter Kavinsky had sex on an overnight school ski trip. In both, it’s enough to shatter their fake-not-so-fake relationship. This takes Lara Jean on a journey to self-discovery in the novel, which ends more or less unresolved. The final pages are the beginning of another letter she starts to write to Peter Kavinsky. The book is obviously left open-ended to make way for the next novel in the series.

But in the movie, they up the ante. Not only is there a rumor that the two had sex; there’s also a “sex tape” that’s being shared among students at the school. The choice is understandable: it’s dramatic, forces Lara Jean to more quickly decide what she wants to do and leads to a happy, definitive ending. But it still felt like a bit much. Sure, explicit videos being shared among high school students is a modern problem that does, in fact, happen. But for a story that feels so innocent up until this moment, this movie felt out of place.

The good news, there are more books in the series and Netflix has already announced plans to make a second movie as well, so the story’s not done yet (and neither are my reviews of them).

Get To All the Boys I’ve Loved Before in paperback for $8.79. 

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Movie vs. Book: Crazy Rich Asians

crazy rich asiansRachel Chu is nervous. She’s about to go to Singapore for the first time with her boyfriend Nick, but this is not just some vacation. They’re visiting for his best friend’s wedding, and it will be the first time she’s meeting Nick’s family. Rachel takes some time to decide, but ultimately determines it would be a fun way to spend her summer off from teaching economics at NYU.

What she doesn’t realize is how nervous she really should be. As it turns out, Nick comes from one of the wealthiest families in Asia. He keeps this information on the down low so as not to be treated differently, but from the moment she hops the plane with him, she begins to understand his very rich reality and quickly comes to realize she may not be accepted by his family or friends.

Yes, Rachel is Chinese. But she is American-born Chinese (ABC), and to his traditional mother, ABC is essentially unacceptable. This pit-in-the-stomach, all-out sinking feeling is excellently portrayed in the movie version of Crazy Rich Asians based on the 2013 bestselling novel. The movie beautifully emphasizes all the best parts of the novel: the romance between Rachel and Nick, the drama between Rachel and Nick’s mother Eleanor, and the glitz and glamour of Singapore and the crazy rich Asians who live there.

The movie follows the book fairly closely except for the ending. The movie adds a scene in which Nick’s family and Rachel make dumplings together, offering an opportunity for Rachel and Eleanor to get to know each other better. The building of their relationship is effectively trashed when only minutes later, Eleanor tells Rachel she will “never be enough.” This scene adds a layer of indiscreet, purposeful anger between Rachel and Eleanor, which then gives Rachel a reason to show Eleanor who’s boss. This is a significant and positive change from the novel. Where Rachel remains mostly timid in the book, this scene in the movie pushes Rachel to fight for the alpha female role, positioning herself strongly against Eleanor so that she stands up for herself in a way we don’t get to witness in the book.

It then leads to a different and happier ending between Rachel and Nick and a more concretely positive relationship between Rachel and Eleanor.

As it aimed to be one of, if not the most successful rom-com in years, Crazy Rich Asians had no choice but to tidy up some of the open-endedness of the book. But the plot choices made at the end of the novel were made to set up the next book in the trilogy (China Rich Girlfriend), and that is lost in the movie. (That includes much of the storyline about Astrid, Nick’s beautiful cousin.) This matters now because the movie sequel has already been confirmed, thanks to the wild success of the first movie.

Crazy Rich Asians is everything a girl could possibly want in a romantic comedy: romance! scandal! makeover montages! a big, beautiful wedding! But it’s possible — nay, definite — that the novel has more depth to offer.

Get Crazy Rich Asians in paperback for $9.60.

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Review: Emma

IMG_3381Recap: In this classic British romance novel, Emma is one of the most popular and well-liked bachelorettes in her community, but no matter how hard she tries, she is completely oblivious to the true wants and needs of the people around her. If you’ve seen the movie Clueless, it may or may not surprise you to know it’s loosely based on this Jane Austen novel from 1815. Emma is the “Cher” character — or rather, “Cher” is the Emma character — focused so much on matchmaking her friends that she misreads signals for her own opportunities at love — or misses them altogether. In the first half of the novel, she is intent on fixing up her new and lower class friend Harriet (“Tai” in Clueless if you’re still following along with the comparison) with her friend Mr. Elton. But every signal that she believes proves Mr. Elton likes Harriet is a sign he actually loves Emma. The result? Both Mr. Elton and Harriet are crushed.

This ripple effect continues throughout the novel as she encourages Harriet to refuse a proposal from a lower-class man, finds herself with feelings for a man who’s secretly already engaged to another woman in town and then tries to set Harriet up with a man who she ultimately realizes she, herself, actually has feelings for.

The gist: Emma is a hot mess. Movie producer Amy Heckerling had it right; she really is clueless. But it’s hard not to root for her anyhow. She is not the greatest friend, but she does try, and as a 21-year-old, can we really blame her for misreading signals from men? Weren’t we all doing that at that age?

Analysis: The truth is I bought this book at a used book sale years ago and never read it because it’s roughly 450 pages and 200-year-old British literature. Very intimidating. But once I started it, I found that it was incredibly easy to follow — much easier than some other classic literature I’ve read. Essentially, it’s a teenage rom com set in 1800’s Britain! It’s quite funny. I particularly enjoyed the Miss Bates character who can’t seem to stop talking. We all have someone like that in our lives.

Aside from the obvious romantic themes and tropes (falling for the one who’s been there all along, etc. etc.), Emma also speaks to much larger themes that still resonate today, including social and economic status as well as gender roles. I never realized how much of Clueless thereby also deals with these themes; it clearly does, but obviously not to the level and depth of Austen’s literature. Emma herself is a strong feminist, refusing to marry for most of the novel. It is more important for her to care for her ill father than to find a man to support her. She also makes her matchmaking decisions based on status, swaying Harriet away from the “poor man” and toward the more upstanding “rich man.” (This can be interpreted negatively in that she is focusing on who can better provide for her friend or positively, in that she doesn’t care for the class system at all and sees no problem in her friend dating outside her class.)

It’s an interesting look at much how much and how little has changed in the 200+ years since Emma was first published.

MVP: Mr. Knightley. As yet another love interest in this complex romance novel and brother of Emma’s brother-in-law, he is the only one who — though bitter and defiant at times — is frank and says what he means. When it comes to Mr. Knightley, there are rarely ulterior motives. He knows what he wants from the beginning and bides his time until he gets it, but never fakes feelings like many of the other characters in this novel.

Get Emma now on your Kindle for $8.00

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