Tag Archives: YA

Movie vs. Book: Miss Peregrine’s Home for Peculiar Children

It’s a book I loved so much that I not only read it, I also listened to it to re-read it in preparation for the release of the movie version. Miss Peregrine’s Home for Peculiar Children is a YA novel that doesn’t read as particularly YA — a story about a boy who, grappling with the death of his grandfather, takes a trip to the small town in the UK where his grandpa grew up, only to find that his grandfather lived in a special home with a magical nanny and peculiar children who all have their own special power or gift. The boy goes on to battle the evil creatures who set out to attack these peculiars, especially after learning that not only was his grandfather a peculiar, but so is he. The fantastical setup of the novel is something that stimulates the mind and fills it with magical imagery and hope that good and weird will prevail over evil.

The movie version of Miss Peregrine starts off the same way but by the end, it takes the story so far off course, it’s practically out of reach. The movie speeds up much of the exposition of the novel, quickly getting to the boy taking his trip overseas. Likewise, not much time is really focused on the home, Miss Peregrine or the peculiars. It feels like the movie is more or less going through the motions, speeding up the story to squeeze it all in.

There are a few odd changes that don’t seem to serve a purpose. For instance, the powers of two of the peculiars are switched. The way the boy enters the world of the peculiars is also a little different from the way it happens in the book. He’s also told outright why certain things are happening, rather than him putting two and two together and figuring it out himself like he does in the book. As these changes happened, they stood out to me. But in retrospect, they are nothing compared to the end of the movie.

In the novel, Miss Peregrine is taken captive by the evil Wight named Barron, but in the movie she more or less turns herself in as a way to sacrifice herself for the children. The novel ends on this cliffhanger as the boy decides to stay with the peculiars, fight Barron and help save Miss Peregrine.

But the movie keeps going for probably another half an hour of additional plot that never existed in the book. I have not yet read Miss Peregrine’s sequel, Hollow City, so I’m not sure what, if any, of the end of the movie may come from that book, but the end of the movie includes a crazy fight scene between the peculiars and Wights, all happening in public with cotton candy and carnivals techno music pumping in the background. The scene feels like it’s jumped in from a different movie. Not only this, but everything — yes, everything — is solved at the end. No cliffhanger. Nowhere to go from here.

There’s little to no room for a movie sequel. Maybe the producers never planned to make one, so they packed it all into this one movie. But as someone who’s only read Miss Peregrine and plans to read the sequels that follow it, it was completely disheartening to see the entire story wrapped up in a tiny bow. The magic of the book is lost in the movie, and there’s nothing peculiar about that. It happens. But it doesn’t make it any less sad.

Get Miss Peregrine’s Home for Peculiar Children in paperback for $7.20.

Or get it on your Kindle for $10.99.

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Review: Harry Potter and the Cursed Child

harry-potter-cursed-child-poster**Spoiler Alert: This review does contain spoilers about the latest edition and all books included in the Harry Potter series.

Contributed by: Sam Sloan, friend and high school English teacher

1. First of all, the obvious, what did you think? How did the feel of the play compare to the Harry Potter novels?

Having only read each Harry Potter novel once, reading the play gave me flashbacks of sitting down with the fifth novel. I had swallowed up the first four novels in late middle/early high school. I have a clear memory of taking the fifth one from my sister’s bedroom and giddily running off to my room to start it, excited to be reunited with old friends and to see how life would be after the horrors of the Triwizard Cup.

When I read the play, I felt my old friends had, like me, had gotten older but maybe not any wiser. They had some of the same problems with adulting that I have– despite having saved the world, Harry still struggles with doing what’s right and facing his past and adolescent children who struggle beneath the shadow his celebrity casts upon them. (I haven’t saved the world, but isn’t that the secret dream of any high school English teacher?)

Unlike the novels, the play forced me to stop and actually imagine a stage upon which this action would take place. Reading the novels allowed me to totally immerse myself in a make-believe world of dragons and Quidditch. This was a little different, as I had to imagine what this would look like on a Muggle stage.

2. What was it like reading Harry Potter in play format? How did the format affect or not affect the story?

Personally, I like reading plays because the stage directions are more than just adverbs that describe how a character should deliver a certain line. A narrator that is actively a part of the play gives the audience information about why something is happening, and the stage directions provide a reader with insight and background information that the reader might not necessarily receive through the delivery of lines. When the reader gets to read this, it helps to better create those characters on that stage in their minds.

3. Did you have a favorite new character?

Scorpius Malfoy. He’s self-aware: he knows the rumors about him, but he also knows that his parents didn’t want to raise him the way Lucius raised Draco. His mother is a tender character, who obviously enhanced his sensitivity and ability to tune out gossip. His innocence and desire for a friend melted my icy Slytherin heart. And he also validated my love for Slytherins. Scorpius is so the opposite of his father when Draco was a child and is such a good contrast to the moody, resentful Albus.

His crush on Rose and his desire to make sure that he and Albus didn’t create a Rose-less world was heart-warming. It’s nice to see that Draco and Astoria Malfoy raised their son to be the opposite of Draco or his horrible little friends. Not all Slytherins are jerks, and Scorpius proves that.

4. What was different from the books? (You mentioned some changes with the magic itself and also the inclusion — or lack thereof — of certain characters.) Did you like these changes? Was there a reason you think they were made?

Being that I only read the books once, a lot of the magic rules were foggy in my mind. I remember that Hermione had a time-turner in the third book to help with her class load, but I didn’t remember the parameters of using a time-turner. I did a quick Google search to refresh my memory (big shout out to the Harry Potter Wiki page).

Whether or not the “rules” of some of the magic were followed to a T is hard for me to say, but the magic served its purpose for the means of a play.

One thing that irked me was that Neville was frequently spoken about between the characters but didn’t make an appearance. Thanks to the time-turning, Harry’s dreams, and the talking paintings of the magic world, the reader was reacquainted with Snape, Hagrid, Dumbledore, and Cedric, but not Neville.

Neville spent his whole childhood being put down by his peers and even his own grandmother, but he played a crucial role in Voldemort’s defeat. He easily could’ve been included. Disappointing, to say the least, because I consider him as heroic as Harry, Hermione, and Ron. It was as if he were still being picked on.

Also surprisingly left out was Luna Lovegood. The big difference between her omission and Neville’s is that she was not even mentioned by other characters in passing. She was good enough for Harry and Ginny to name theirdaughter after her, but not good enough to include in the play? Hmph.

harry-potter-cursed-child-poster

It was nice to have an additional story, but it wasn’t necessary. I really did like the way the series ended. Good triumphed over evil. For the first time in his life Harry Potter was as close to normal as he could ever be. Ron and Hermione wound up together (despite me not being able to understand how the lovable Ron tolerated her know-it- all, sometimes obnoxious attitude). Draco Malfoy learned the difference between doing what’s right and doing what’s popular. I like that ending!

But like I said, it was like visiting old friends. I liked being able to hear Snape’s voice in my head again. I felt a crushing sadness when Harry spoke to the painting of Dumbledore about being a father. It was wonderful to be in that world again. But I didn’t need to be. The novels can stand the test of time through their themes of friendship, generosity, and tolerance; the play emphasizes and reminds the reader of those themes, but Potter fans likely haven’t forgotten them.

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‘Dance Moms’ 13-Year-Old Star To Pen Memoir, Fiction Trilogy

maddie-ziegler-435Some people spend their entire lives writing to pen the perfect book. For Maddie Zeigler, it only took 13  years. But wait. That is her entire life considering the Dance Moms star is just 13  years old.

According to Entertainment Weekly, Zeigler is working on writing both a memoir and a YA trilogy about dance for Gallery Books and Aladdin Books. The Maddie Diaries will reflect on her years starring the Lifetime reality TV show Dance Moms. It will also include advice and lessons for teens and dancers. It’s set to be released in March of 2017.

Her fiction novels will also be about — you guessed it! — young dancers. The novels are set to be released in the Fall 2017, Fall 2018 and Fall 2019.

IMHO, there will always be a market for people who want to read about dancers — whether it’s young people who dream of being professional dancers or those — like me — who used to dance and feel a sense of nostalgia when they read books about it (see Astonish Me).

Zeigler is a famous dancer, best known for Dance Moms and for playing mini-Sia in many of popstar Sia’s music videos and performances. Currently Zeigler is a judge on the kids version of So You Think You Can Dance.

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New Duology Coming from Veronica Roth

carvethemarkNow that the Divergent series has concluded and the movies are almost complete, bestselling author Veronica Roth is set to release a new series.

According to Entertainment Weekly, this one is a duology. Carve the Mark is due to be released January 17, 2017. The first book in the duology, Carve centers around a galaxy where “some are favored by fate [and] everyone develops a currentgift, a unique power meant to shape the future.” Sound familiar? Yes, it sounds very similar to the faction system of the Divergent books. Especially the further explanation that the two main characters’ gifts “make them vulnerable to others’ control.”

Since the final book in the Divergent series (Allegiant) is often regarded as the worst of the series, I wonder if Roth’s writing of a similarly themed series might be her way of redeeming herself, since here, she’d be able to write a more satisfying ending than that of the Divergent series.

Either way, it’s sure to be a hit, since her first YA series clearly put her on the map, and writing a two-story series may work in her favor, considering how rundown the YA scope is with trilogies.

 

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Movie vs. Book: Allegiant

allegiant-by-veronica-roth**Spoiler Alert: this is your warning that if you have not read the actual book, you might not want to read the following review. Spoilers are included. 

Let me start by saying this: Before seeing Allegiant in theaters, I was not aware that producers decided to split final book in the Divergent series into two movies. So naturally, I was shocked at the state in which the movie ended — clearly setting it up for a fourth movie. That said, the movie adaptation of the final novel in the Divergent series was terrible.

Allegiant is one hell of a book. I was skeptical when I started reading it since I was told by many that the third book in the series was the worst because of something Tris does. Her self-sacrifice in the novel’s third act was a bold move by author Veronica Roth, no doubt. So it’s understandable that readers — especially YA readers that the book targets — would be upset by the dark, sad ending. But I found her actions to be brave and powerful — those of a true tragic hero, sacrificing herself for the greater good, despite the dangers that lie in her wake.

In addition to that, the multiple rebellions and serums in the novel make Allegiant sometimes confusing, but mostly exciting and overwhelming in the best way. For the first time, parts of the novel are told through Four/Tobias’s voice instead of solely Tris’s, and he faces his own dark plot line. Both their stories move with power.

While the Insurgent movie changed some things from the book, the Allegiant movie changed almost everything. In fact, I wouldn’t even call it an adaptation, but rather a movie “loosely based” on the novel by Veronica Roth.

To start, characters Cara and Uriah are cut from the movie, which thereby means the entire “Four accidentally putting Uriah in a coma because of the explosion he helped plan against the bureau” storyline is cut from the movie. That is a huge part of the novel, so it was extremely disappointing to see it  left out of the movie. The movie also made the bureau headquarters much more futuristic than the raggedy image that’s portrayed in the book. The movie also makes it seem like it was Tris’s idea to form the Allegiant, when it’s actually Johanna’s idea — a device to make Tris even more heroic, I imagine.

The movie also adds things the book doesn’t include. For instance: Tobias’s father receiving the memory serum; Four participating in a group that helps bring children from the fringe back to the bureau; a head council to which David must report; and the characters having jobs and duties within the bureau. Some of these changes may seem minor, but because of them, other plot lines and character motivations in the movie had to be adapted, and suddenly it was hard to tell where the story was going since it veered so off course from the novel.

It’s a shame the Divergent movies have increasingly gotten worse and are now out of touch with the great novels upon which they’re based. But if this weekend’s poor ticket sales are any indication, maybe producers won’t make Allegiant Part Two after all and save us the disappointment.

Get Allegiant in paperback for $7.92. 

Or on your Kindle for $9.99.

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Review: Amazon Burning

Recap: When a traumatic and potentially life-ruining legal matter threatens Emma Cohen’s shot at finishing college, she takes a sabbatical — which isn’t really much of a sabbatical at all — interning for the newspaper her father works for during a summer in Rio De Janeiro. It starts out fun, but quickly becomes dramatic when a famous environmentalist is suddenly murdered.

She flies with her father to the Amazon to cover Milton Silva’s suspicious death and funeral. Along the way, she meets a good-looking photographer, Jimmy, but because of her ongoing legal battle in New York, she must keep her hands off. Emma decides to focus on the story of Milton Silva and — together with Jimmy — begins to investigate.

But the deeper they dig, the more they come across crime and suspicious activity. Add to that the craziness and chaos of Amazonian weather and and you’ve got yourself a crazy thriller-adventure with a little romance mixed in.

AnalysisAmazon Burning starts off strong. There’s a mysterious murder. There’s a college girl, with a secret of her own, working to uncover all the details. There’s a sexy man, a sexy location and a sexy summer season. But the story itself doesn’t exactly live up to the hype.

As Emma and Jimmy get deeper and deeper into their investigation, they open up, and we finally learn what Emma’s secret is. But their investigation doesn’t go as far as they’d like. They get closer and closer, but ultimately reach several dead ends. As it turns out, the biggest plan they coordinate winds up screwing up a federal investigation that’s going on at the same time.

As much I wanted to root for them, their inability to solve the case made it hard. Then I got to thinking — why would they even try to solve it? As a journalist, I understand the job of a reporter, and of course, were one to come across a case that they thought they could solve, that’s great. But more likely than not, reporters are following cases and  reporting on them, not solving them themselves. That’s the job of an officer or detective. The journalist aspect story seemed far-fetched, especially by involving a college student. And when Emma and Jimmy wind up failing anyway, it makes the story that much more unfulfilling.

Get Amazon Burning in paperback for $9.74.

Or on your Kindle for $4.99.

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Review: I’m Glad I Did

Recap: JJ Green comes from a family of lawyers, and she’s expected to become one as well. But as a 16-year-old growing up in New York City in the 1960s, she doesn’t want to be a lawyer; she wants to be a songwriter. She lucks out when she nails an interview and lands herself an internship at one of the biggest music publishing offices in the city. That’s when she makes a deal with her parents: if she writes and sells a song to be published by the end of her summer internship, her parents will have to let her continue on the songwriting path.

As her internship begins, JJ is quickly thrown into the real world and adult life — meeting Luke, a cute, older boy on the elevator and running into her estranged Uncle Bernie, who’s said to be involved in some illegal side activities. But things get real, real fast when she learns that one of her friends has died, and it just happens to be the same woman who recorded an amazing demo for JJ’s new song. The police rule it a suicide, but she knows there’s more to the story. Suddenly her songwriting summer is swirling with love and the mystery of murder. She wants to help solve it, but she also has to sell her song — big goals for one young girl in one short, crazy summer.

Analysis: “I’m Glad I Did” isn’t only the title of the book. It’s also the title of JJ’s original song. It’s also how I felt after having read the book. Yes, I am aware that those three sentences were a little hokey. To be fair, the book is a little hokey as well. But as a YA novel, it should be exactly that, and a lot of fun. The book had some dark undertones, dealing with interracial relationship in the 1960s, gambling, alcoholism, drug addiction, and death. But ultimately it was fun. This girl is living the dream — writing songs with a dreamy boy in New York City and solving a murder mystery. Is it a little far-fetched? Yes. But I put myself into the mind of a 14-year-old girl reading this book, and I couldn’t help but think JJ was awesome and living a pretty fabulous life.

What’s impressive about I’m Glad I Did is that it was written by Cynthia Weil, a Rock and Roll Hall of Fame songwriter. She helped write classics such as “You’ve Lost That Lovin’ Feeling” and “On Broadway.” Knowing that, I trusted her take on what happens behind the scenes of the songwriting business in the 1960s. I had to imagine that at least some of the story came from real-life experience, and that only made the story more intriguing and exciting.

MVP: JJ. She’s a teenage badass. She stands up to her parents and works toward the career she wants. She stands up to police, insisting they continue to investigate the murder. For a girl who considers herself to be unconfident, she sure is ballsy. And it’s fun and empowering to see her succeed time and time again.

Get I’m Glad I Did in hardcover for $14.24.

Or on your Kindle for $9.99.

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