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Movie vs. Book: IT

41acskyedwl-_sy346_Contributed by Michelle Baker

**SPOILER ALERT: This review includes spoilers from both the movie and novel IT. Consider yourself warned. 

Over a thousand pages long, IT is more a story about the importance of true friendship and unity in the face of evil than it is a horror novel. The story follows seven friends in 1950s Maine who label themselves The Losers. They find solace in one another, and together they find a place to escape to, where they can be themselves. But there is something evil in Derry, and they have all seen something that has absolutely terrified them. One is chased by a giant bird, another a mummy; the girl hears voices down her bathroom drain and is subsequently met with a deluge of blood from said drain. The adults don’t see these things, so they don’t understand what scares the kids so much. 

The story is told in two intersecting parts: flashbacks of the Losers in the ‘50s and the Losers coming back to Derry as adults almost thirty years later. They are called back by Mike, the one member of the group who stays behind to keep an eye on the evil. He soon realizes that they didn’t defeat It as kids, and the only way to stop  children from disappearing or turning up mutilated is to fight It again. Once together, they acknowledge  working together to defeat It is the only way to save their hometown.

My initial thought about the movie is that Bill Skarsgård gives an incredible performance as my new biggest fear. But director Andy Muschietti also makes a few alterations to the novel, particularly by not cramming the entire novel into one movie: Chapter 1 is only about the children, and Chapter 2 (which will be released in September 2019) will be about the adults. By doing this, he ensures that the character development isn’t rushed or forced.

That said, there are also uncomfortable changes like shifting Mike’s purpose as historian and watchmen to Ben in the movie. In the novel, Mike is the only son in the town’s only black family. Mike grows up learning the stories that taint Derry’s history from his father and informs the kids of the cycles of evil. He continues this tradition of historian into adulthood as the one who calls the group back when the patterns reemerge. But in the movie, Mike doesn’t come into the action until almost halfway through the movie, and the information about Derry’s grisly past is provided by Ben. Mike merely seems to serve as “the token black kid” in the movie, and it’s awkward. 

Another big change involves one of the most controversial scenes in King lore: Each of the kids in the Losers possesses a strength, and when they are together, these powers are almost unstoppable. After they battle It for the first time as kids, they try to leave the sewer system but find their powers weakening. As a way to reunify and gain back their powers, Bev suggests all six boys in the group have sex with her. There aren’t enough words to describe how uncomfortable this was to read. The thought of this girl losing her virginity to her six best friends in the sewers of her hometown after battling a centuries-old evil creature made me feel privy to something extremely sensitive. 

But I do, in a strange way, understand King’s logic. The overall message of the book is the complexities of navigating the transition from childhood to adulthood, and it is clear in this scene that the “It” the kids ultimately face is not a clown, mummy or  bird, but being a grown up. And what’s more “grown up” than “doing it”? Sex is weird and messy, as is this scene. I concluded King chose this as the method of unification because what we don’t understand is scary. Bev Marsh doesn’t understand why this act will unite them, but she just has a feeling that it will. And she’s right. They make it out of the sewer, agree to come back if It ever does, and go home as if nothing happened.

The movie, thankfully, does not depict a multiple child sex scene, but instead offers up a reduction of the strong female character in the group to a damsel in distress. Bev is taken by It to the sewer where she catches a glimpse of It’s Deadlights–supernatural lights that cannot be comprehended by the human mind and that can drive the viewer of them to insanity. As a result, Bev is stuck in a catatonic state floating in It’s lair. The boys band together to save Bev and fight It, and Bev is awoken from her stupor by a kiss from Ben. (Seriously, why did all of the important elements of the story get shifted to one character?!)

While I am glad the scene was altered, there is something to be said about the printed Bev. In the novel she is strong, capable of making decisions, and is the one to get the group to focus on their shared goal when everything seems to be going wrong. In the movie, she is just a girl who needs rescuing. She is not taking control over the situation, nor is she coming to understand the power that she holds as a woman. She is filling the Hollywood script mold of Girl in Trouble.

Stephen King, who raised by his mother and aunts, has always had a knack for creating strong female characters with whom one can empathize and relate. Bev in the movie is only strong when she is flirtatious, which is a far cry from what King created. The movie was a great interpretation of the text, full of shocking, scary, and thought-provoking scenes and special effects. However, considering the changes made to some of the novel’s substantial characters, I would have preferred if the credits said “Loosely Based on the Novel by Stephen King.”

Get IT in paperback for $13.16. 

Or get it on your Kindle for $11.99.

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Review: True Colors

511drsbgj0lRecap: Winona, Aurora and Vivi Ann Grey have been three peas in a pod since childhood, sisters brought especially close together after the death of their mother when they were young. But as they hit their 20s and they started to go their separate ways, tensions grew between them. Winona remained single but excelled in her career. Aurora started a family, acting as the peacekeeper in the family. Vivi Ann remained a beautiful free spirit, inheriting the talents of her mother: riding horses. Vivi Ann is her father’s favorite as he grows increasingly depressed and ornery over the years after the loss of his wife.

But then Vivi Ann meets Dallas, an Indian in their world of cowboys and ranches. Hired as a ranch hand on their farm, Dallas feels immediately connected to Vivi Ann, and she to him. But she’s already engaged to “the perfect man” Luke Connelly, who just so happens to be Winona’s high school crush. Vivi Ann’s decision followed by  a murder in the town that involves her family sends the story off into the stratosphere and the Grey family spiraling .

Analysis: Like other Kristin Hannah books, the story is told through the eyes of each of the sisters, each chapter revolving between points of view, helping to paint a brighter picture of each character. Aurora, the girls’ father and Dallas remain the most underdeveloped as the story really focuses more on the oldest (Winona) and youngest (Vivi Ann) sisters.

After the scene it set initially, the book seems to move in one direction but then makes a stark turn around a third of the way into the book with the murder plot. For a story about sisters who have lost their mom, have a disconnected father and have a stranger enter their lives, it felt a little unnecessary to throw in any more drama. That said, the book really moves initially and slows down in the middle to end. There’s a period in which a long time passes in the book and the story seems to drag because of it, then rushing into a neatly wrapped up ending.

I really enjoyed the book while reading it and loved the story. I enjoyed the development of the relationship between Winona and Vivi Ann too — a sister relationship that no one would understand but sisters. I just wish both the amount of time that passed in the lives of the characters and the literal number of pages it took me to get there were a bit more concise.

MVP: Winona. At times she was pathetic and extremely bitter, but of all the sisters, she still seemed to be the one who most had her life together. She may have been defiant at times, she’s a woman who knew what she wanted.

Get True Colors in paperback for $10.

Or get it on your Kindle for $9.99.

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Ballerina Misty Copeland Releases Book

misty-copeland-book-cover-largeMisty Copeland is the first black female ballerina to be named a principal dancer by the American Ballet Theatre. Now she’s adding “author” to her resume.

Copeland has released a new book entitled Ballerina Body, focusing on both the physical and mental strength it takes to better your body in the best way possible. She stresses that it’s not a “dieting” book, instead saying “For me, it was just getting myself into the best shape that it could, but understanding that it’s OK to be different. If you’re talented and gifted enough, it doesn’t matter what you look like.”

It sounds like a mix of self-help, cookbook and memoir. The book includes inspirational words of encouragement, exercises, recipes, and her “secrets” to being strong mentally and physically.

It’s so important for a woman in her position to write a book like this, to inspire girls to care for their bodies the healthy way instead of starving themselves unhealthily, not to mention the volumes it speaks for black girls who may not have ever envisioned a future like Misty Copeland’s.

Get Ballerina Body in hardcover now for $15.59. 

Or on your Kindle for $15.99.

 

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Limited Series vs. Book: Big Little Lies, “Serious Mothering”

 

The tension between mommies and daddies builds in this second episode of the limited serious version of Big Little Lies, as we get deeper insight into Madeline’s marriage and Celeste’s. We see fewer flashes of police activity alluding to the horrible incident that eventually happens and instead more flashes of graphic and violent sex, as well as the now-recurring images of Jane running down the beach in a blue dress.

Another incident in school happens in this second episode, with the girls daring Jane’s son, Ziggy, and Regina’s daughter, Amabella, to kiss. Though it’s hard to say since we never actually see it. Instead, we only witness the buildup to and aftermath of the “kiss,” much in the same way the show refers to the murder that makes up the main plot of this story.

The kiss that the children are “pushed” to do in class is not part of the book, Big Little Lies. It seems the writers have added this incident as a device to further build tension between all the parents of the children involved. The writers divide the couples even further when, in the episode, Celeste and Madeline attend the same yoga class as Madeline’s ex-husband Nathan and his new wife, Bonnie. Then we learn that Bonnie has helped Madeline and Nathan’s teenage daughter to get birth control pills, pushing Madeline to hate Bonnie even more — and rightfully so! As a stepmom, she absolutely does not have the right to help the teen get birth control when her birth mother is still an active part of her life. This is yet another plot point added to the series that is not part of the book. Yet another thing the series adds in this episode is Madeline’s ex-husband and current husband meeting up for a little “chat,” which quickly turns into a heated exchange.

All of this is an attempt to show the motivations each adult has for one another and adds to the suspense of who’s been murdered and who’s the murderer. All that’s well and good, but it also strays from the book and, in my opinion, just further drags out the story that’s already full of suspense and intrigue. These added scenes and scenarios also make Madeline far less likeable from the way she comes across in the book. Yes, she’s a little nutty in the book, but we still like her.

The show does a good job, however, of foreshadowing some of the big moments to come, including the introduction of Harry Hippo — yes, he actually matters in this story! — and finally we see how abusive Celeste and her husband’s relationship really is. However, her openness about it with Madeline at the bar is a complete 180 from the book.

So far, the show continues to keep in line with basic plot points, and while I see why it’s adding what it’s adding, I don’t know how necessary it really is.

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Review: The Corrections

thecorrectionscvrRecap: Alfred and Enid are your typical Midwestern couple; they did their best to raise a family and provide, and now that they’re in retirement, they’re combating Alfred’s Parkinson’s and doing what they can to best stay in touch with their three grown children, living far away in New York City and Philadelphia.

The plot goes back and forth between the 1960’s and present-day so we get perspectives from each of the kids, Gary, Chip and Denise, both as children and adults. We learn about Gary’s success in his career and in building a family, about Chip’s rise and disastrous fall and Denise’s dabbling in sexual experimentation starting at a young age and ultimately affecting her career as a chef. We also see how Alfred’s business decisions over the years have upset first, his wife and now, his children.

Much of the story revolves around Enid trying to convince Alfred to take advantage of a financial opportunity from the railroad company from which he retired. It’s an opportunity that could earn them a large sum of money, and when Gary catches wind of the situation, he also tries to steer his father toward earning the extra cash. But Alfred can’t be bothered. In his old age and with his Parkinson’s, he feels as though he has enough to deal with. All this is just part of what drives the family into a financial and stress-induced panic.

Analysis: So much of this story is about simply the inner-workings of families and how even small decisions and actions can have big impacts on the people to whom we are closest. While the title, The Corrections, is most directly related to the economic and tech boom of the 1990’s, it’s clear the title also refers to the ways in which each character is trying to correct each other and themselves, sometimes with drugs, sex, love or money. But ultimately, they (and we, the readers) learn family connections run more deeply and more complicated than any other, and as much as we want to “correct” each other, sometimes we just can’t.

The novel gets a lot of praise for its statement about an anxiety-driven America; some have even called it prescient in its take on Americans in a post-9/11 world because the book was published and released several days before 9/11 happened. Reading the history of the book’s timing is fascinating, though I doubt I would have picked up on that had I not read about it beforehand.

I was individually intrigued by each of the characters and loved their stories, but at points I kept waiting for something — anything — to happen. Despite not feeling entirely hooked, I ultimately wept like a baby at the end anyway, when I learned how each of the characters ended up. Alfred’s battle with dementia and Parkinson’s resonated with me personally, and that probably has a lot to do with my emotional reaction. But I realized something else when I started crying then: I truly cared about the characters after all. A book like that has all the makings of a great one.

MVP: Denise. She was extremely complex without being really annoying about it. She also makes some of the biggest sacrifices for the family, even though it’s not what we’d expect.

Get The Corrections now in paperback for $10.62. 

Or get it on your Kindle for $9.99.

 

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Limited Series vs. Book: Big Little Lies, “Somebody’s Dead”

A blur of flashing red and blue lights, flashes of women in pearls, and images of Elvis and detectives spin in a dizzying display of a dress-up event gone wrong in the opening minutes of the premiere episode of Big Little Lies. The HBO limited series is set to adapt the bestselling Liane Moriarty novel of the same name over the course of seven hour-long episodes.

The density and complexity of the novel certainly lends itself to being a limited series and not a movie that would inevitably leave out plot points for time. That said, the premiere episode starts off a little slow. It focuses on exposition, bringing both the drama of the “Blonde Bobs” — or crazy mothers — around which the murder mystery story revolves and the comedy — particularly from Reese Witherspoon, who plays the character of Madeline.

School orientation is a stressful day for everyone, including children and parents. Madeline proves as much by almost getting into a car crash with a car full of teens, including her daughter from her first marriage and then twisting her ankle. This is where the story starts, in a flashback after the first few minutes establish someone has died at a school fundraiser. This opening episode stays (mostly) true to the story, setting the tone for the tiny beach town of stuck-up mothers and their precocious children.

We meet Madeline, her daughters, her husband, ex-husband and his new wife, Bonnie, as well as Madeline’s best friend Celeste and new friend Jane. Each has kids in the same first grade class, where little Amabella is apparently choked on the first day by a boy in class. She places blame on Ziggy, Jane’s son, who denies having hurt the little girl.

That’s about as far as we get into the story, but in some beautifully shot flashback images, we get the idea that Jane and Celeste have some pretty haunting histories. The visual markers of this are perhaps less subtle than those in the book, but they certainly grab attention.

Differences from the book include the story happening in California instead of Australia and the kids being in first-grade instead of kindergarten (perhaps another year allows for them to be more mature and have more of a voice than in the book?). The series also softens the relationship between Madeline and her older daughter. While they’re sour with each other in the first half of the episode, they have a nice moment at the end that doesn’t really happen in the book until — well, ever. In the show, Ziggy also asks his mother why Amabella said he choked her when he didn’t. That doesn’t happen in the book. While that may seem like a minor detail, it’s really an important one for the overall story and works to make the viewer more sympathetic to Ziggy and Jane.

But the story is so good, the setup so well done, the child actors so good, and Reese Witherspoon’s portrayal of Madeline so comically spunky, there’s no doubt I’ll be watching the rest of the series.

 

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Carrie Fisher’s Books Selling Like Wildfire

article-1088513-0289ce2d000005dc-747_468x468Just two weeks after her death, Carrie Fisher’s books are selling like wildfire. In fact, they’re selling so many copies, Simon & Schuster has ordered reprints of every one of her books, according to Entertainment Weekly.

“All of them have remained in print, but our supply was wiped out by demand,” said Jonathan Karp, President and Publisher of Simon & Schuster Publishing Group.  Several of them have topped bestseller lists in recent weeks.

Titles that have been reprinted include Fisher’s 2008 memoir Wishful Drinking, her 1987 novel Postcards From the Edge, her 2011 memoir Shockoholic and her 2004 novel The Best Awful. Her latest memoir, The Princess Diarist, also warranted a reprint from its publisher, Blue Rider Press.

Frankly, none of this is a surprise. It’s the same thing we see when a music artist dies and their albums and songs shoot to the top of the charts. It’s heartbreaking to see Fisher go, but lucky for us, her words live on.

 

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