Tag Archives: bestseller

Review: Cujo

cujo.jpgRecap: It’s been five years since a serial killer was on the loose in a small town in Maine, but that doesn’t mean the serial killings are over.  When a massive St. Bernard chases a small animal and becomes rabid, no one is safe. The problem is no one knows the pain he’s feeling. No one know he’s sick. So his owner, Joe, lets him roam around the property. Joe’s son and wife, Brett and Charity, leave town to visit her sister. By the time Donna and her four-year-old son, Tad, go to Joe’s house to have her car repaired, Cujo has already killed several people including Joe.

Donna notices he’s rabid right away; by this point, he’s become more sick and his red eyes and foaming mouth prove as much to her.  She has no choice but to stay in her car with her son but the car is in such disrepair, it won’t start. The July heat doesn’t allow them the fresh air they need, and they have no access to food or water other than what they’ve packed. Because it’s 1980, Donna has no cell phone and no way to get help.

As she waits for a postman to come, for the police to come, anything, her husband Vic is away on business, trying to save his company and contemplating how to save his marriage after he learns Donna had cheated on him. Ultimately, no matter how much he wants to, Vic can’t quit Donna and when his calls go unanswered, he calls for help only to find the devastation Cujo has left behind.

Analysis: For my first Stephen King novel (I know, I know, it’s crazy), this was phenomenal. I was more than pleasantly surprised by the character depth and development he offered throughout the novel. It’s much more than just a “horror novel,” which is what I was expecting. Cujo is a monster, but he’s a completely plausible monster and King interestingly takes us inside the rabid dog’s mind as well as Donna’s heat delirious mind, and Vic’s marriage obsessed head as well as many others.

This level of character depth and plot thickening allows for a slow build until Donna and Cujo are left no choice but to face off. For days as I read the last pages of the book, I found myself repeatedly muttering “Please don’t let Donna die.” King made me care. It’s the stuff real horror novels are made of.

MVP: Vic. While Donna’s a badass, it takes her a while to get there. Vic instinctively and instantly knows something is wrong and uses his intelligence and logic to break open what’s going on and attempt to make a rescue.

Get Cujo in paper for $14.56.

Or get it on your Kindle for $10.99.

Advertisements

Leave a comment

Filed under Reviews

Movie vs. Book: Call Me By Your Name

One of my favorite lines from the movie Love Actually” is when the red-headed boy Sam tells his father (stepfather?) that he’s in love with a girl. His father’s response is “I’m a little relieved.” When the boy asks why, he explains he thought whatever the boy was about to tell him would be worse, to which Sam replies “Worse than the total agony of being in love?”

The total agony of being in love is the premise of Call Me By Your Name, which tells the story of a 17-year-old boy who falls in love with another man — a student his father has taken in for research help for their summer abroad in Italy. Enter Oliver, a stunning, charming man who seems so sure of himself, but whom young Elio can’t read. All he knows is he is attracted to Oliver — desperately, hopelessly attracted. Here comes Agony Part One. Over the course of their weeks together, both Elio and Oliver have relationships with girls, but they ultimately keep finding themselves more interested in each other. One night together results in a completely new breathtaking, sensual, deeply loving relationship — one which will knowingly end at the of the summer but affect them forever. (Agony Part Two.)

Typically when I write my movie vs. book reviews, I’ve read the book in preparation for the movie, then see the movie and compare. But in this case, I saw the movie first and fell so madly in love with it, I needed more. So I read the book, which I also fell madly in love with and watched the movie again.

The story resonated with me so deeply, reminding me of my first relationships and flings that, similarly to Elio and Oliver, have had a lasting impact on me. Man man, woman woman, man woman — all that is really irrelevant here. What’s understandable for everyone is the experience, exploration, and desire.

The novel Call Me By Your Name received so many literary awards when it was published in 2007, and it is truly beautifully written with sections full of lovestruck anxiety that wreak of teenager as well as insightful sections about love and life. It is refreshing then, that James Ivory who adapted the screenplay for the movie, kept so much of the book true to the movie down to the dialogue. If the writing is beautiful, why change it? Thankfully Ivory saw, understood and respected that. Thankfully actor Timothee Chalamet (who plays Elio), Armie Hammer (who plays Oliver) and Michael Stuhlbarg (who plays Elio’s father) also do a beautiful job of translating exact lines from the novel into moving action on screen.

That said, there are a few major changes. The movie eliminates one character altogether — a little girl who lived next door to Elio in the book and becomes good friends with Oliver over the summer. She plays a part in getting the two of them together in the behind-their-backs conversations she has with each of them. In the movie, her scenes of dialogue are instead just given to Elio’s mother. The book is also set entirely in memory; it’s from Elio’s point of view and told 20 years after his summer with Oliver. He then writes about several other times he’s met with and seen Oliver in the 20 years since that summer. Instead the movie ends with a phone call six months after the summer (leaving open the option to a possible Call Me By Your Name sequel, which has been widely discussed by the director and actors). The movie also cuts a big party scene from the end of the summer when Elio and Oliver go away together for a few days, an opportunity to show Elio getting excited for his future.

The famous peach scene (which I won’t get into here — but it is full of exquisite metaphor) is possibly more graphic in the novel. And really, everything is a little more graphic in the novel — from Elio and Oliver’s explicit sex scenes and language to Elio’s painstaking agony (See? There’s that word again…) over Oliver.

But overall, it is a beautiful adaptation. I could re-watch and re-read Call Me By Your Name over and over again, if for no other reason than to remember how great love is and how it leaves you no choice but to remember everything.

Get Call Me By Your Name in paperback now for $9.69.

Or on your Kindle for $9.99.

Leave a comment

Filed under Movie vs. Book, Reviews

Movie vs. Book: Julie and Julia

Recap: As her 30th birthday becomes frighteningly close, Julie Powell realizes she’s unhappy with her life. She has a wonderful husband who she’s been with since high school, but her job leaves her unfulfilled, she and her husband live in a tiny apartment and she has a condition which will likely make it extremely difficult to have children. Doctors continue to push her to have children before turning 30 since that would be her best chance for success, but she’s not ready for kids yet. Her dissatisfaction with her life leads to a fairly irrational decision. She likes to cook, so she will cook….the entire first volume of Mastering the Art of French Cooking by Julie Child.

She gives herself a one-year deadline, which sounds feasible until you realize that’s 524 recipes she has to cook in 365 days, and most of them are obscenely difficult and…well…French. They include killing, cutting and cooking lobster, boning ducks and hours and hours of stewing in ovens and stovetops. The challenge is beyond difficult. She has no choice but to employ the help of her husband to buy groceries and meat. She invites friends over to enjoy the food. She keeps a blog which suddenly has readers she feels she must entertain and please. The media picks up on her blog, and Julie’s Julie/Julia Project blows up across the nation. All this happens as her friends deal with the trials and tribulations of love and lust and while Julie’s own marriage takes a backseat to her goal.

Each chapter is also interspersed with bits and pieces about the life and love of Julie Child. Her loves — like Julie — are both cooking and her husband. Much like Julia Child learning to cook at age 37, Julie is also on a search to find herself and does after quite a bit of time and hard work.

Analysis: The movie Julie and Julia is a decent adaptation of the book, cutting back and forth between Julie (Amy Adams) and Julia (Meryl Streep) as they find themselves through food. The movie includes much more of Julia Child’s story as she works to publish her first cookbook. (Right from the start, the movie acknowledges it’s sharing the stories of two different books : Julie Powell’s Julie and Juliand Julia Child’s My Life in France.) Because the movie has more Julia, it therefore has less Julie than in the book. Her fertility issues are not mentioned in the movie, nor are the side characters (Julie’s friends) and their crazy love lives. Those cuts help to make the movie a little more upbeat and uplifting and better parallel the journey of both Julie and Julia.

The best parts about both the movie and memoir are how funny they are — Meryl Streep portrays Julia Child impeccably, and Amy Adams is great at bringing Julie’s frustration, rage, determination and humor to life. Both also end in a more moving way than you might expect, but the movie’s end pales in comparison to the book’s final pages. Powell’s powerful writing about Julia Child’s death and what she ultimately learned through this journey moved me to tears and made clear that this challenge was about much more than just cooking and writing about it; it’s about the journey we all find ourselves on, and sometimes you just need to force yourself to take the first step.

Get Julie and Julia in paperback now for just $3.35.

Or get it on your Kindle for $7.99.

Leave a comment

Filed under Movie vs. Book, Reviews

‘Pretty Little Liars’ Author To Debut First Adult Fiction Novel

the-elizas-9781501162770_hrShe’s already published dozens of books, had them adapted for television and became a huge bestseller, but now Pretty Little Liars and The Lying Game author Sara Shepard is set to release her first adult fiction novel.

According to Entertainment Weekly, The Elizas is about a debut novelist (sound familiar?) named Eliza who claims she was pushed when she was found at the bottom of a hotel pool. Her family assumes it was just another failed suicide attempt. In an effort to prove them wrong, Eliza begins to investigate her own death and find that her life and character’s life are intertwining. Memory loss from the accident doesn’t help either.

Creepy, huh? Shepard knows a thing or two about creepy thrillers.

The Elizas is set to be released on April 17th. EW has an exclusive available excerpt now.

Leave a comment

Filed under Author News, News Articles

‘Fire and Fury’ Forces More Print, Causes Confusion

methode2ftimes2fprod2fweb2fbin2ff3b86ff8-f2d7-11e7-a480-969f697997eaAfter portions of Michael Wolff’s book Fire and Fury, detailing life inside President Trump’s White House were made public, publishers moved up the release down of the book. Now according to The Guardianit’s sold out practically everywhere. Sales have gone through the roof in stores, online, in ebook format and audiobook format to the point where publishers have ordered an extra million copies to be printed.

None of this is a surprise really, considering it includes not-so-subtle President Trump bashing. But what may be a surprise is how much sales of Fire and Fury are impacting other books…that include Fire and Fury in the title.

According to NewsweekFire and Fury: The Allied Bombing of Germany, 1942-1945 is seeing a spike in sales. So is Fire and Fury: How the US Isolates North Korea, Encircles China and Risks Nuclear War in Asia. While some of these authors assume that people have simply confused their books for Michael Wolff’s, some admit these titles popped up online as suggested books based on their purchase of Wolff’s Fire and Fury.

Either way, the authors are grateful, with one even explaining “I’m gratified that more people will read a book about the horrors of war, what it does to human bodies and the difficulty of even the most well-intentioned leaders (which Trump certainly is not) in maintaining their moral commitments in wartime. With a dangerous, unstable and deranged demagogue controlling the greatest armed forces the world has ever seen, I can think of no better time to reflect on these issues.”

Leave a comment

Filed under News Articles

Review: When Breath Becomes Air

41ozmb3iwvl-_sx348_bo1204203200_Recap: Paul Kalanithi is on the up-and-up. He is an aspiring neuroscientist with big dreams of performing difficult surgeries, saving lives and eventually writing a book in his later years. With degrees in medicine and literature, he has his whole life mapped out. But his marriage is failing. And with his graduation from residency within his grasp, he begins to experience fatigue and horrific back pain. As a doctor, he knows this can only mean one thing: cancer.

After lots of tests, doctors and people in disbelief, it turns out he is right. Kalanithi has a rare form of cancer, at the age of 36. He goes into treatment. He strengthens his relationship with his wife. He fights it. He gets better. And then he gets worse. He knows the end is near. And suddenly he must fast forward his life plans. But by how much? How much time does he have left? He ultimately learns there’s no way of knowing, and he has no choice but to accept that. But as his life comes to an end, he writes this beautiful, touching memoir. Kalanithi now lives on forever in his words and leaves the most important lessons he’s learned for all of us.

Analysis: I purchased this book in the final days of my father’s life. At the time, I was desperate to understand — medically — what was happening to him. He had Alzheimer’s and was unconscious, so I knew he had  little, if any, logical brain activity. But his breaths were fewer and fewer each minute, and his skin had begun the mottling process. I was suddenly hearing terms I’d never heard before and wanted to know everything about them. Ultimately, the hospice nurses encouraged my mother and I to leave my father’s side and not come back. I wondered if she was trying to imply that maybe he was holding on simply because we were in the room with him. Or maybe she just didn’t want us to see all the other horrible — and gross bodily things — that happen when a person dies. So we left, and my husband and I visited what has always been one of my favorite places in my hometown:  Barnes and Noble. I purchased this book along with a self-help book. I was seeking answers that day.

My dad died two days after that. And yet, I didn’t begin reading When Breath Becomes Air until five months later. Mostly I was busy and wasn’t reading very much at all. But when I went away on a short vacation five months later, I knew this was a book I could knock out in just a few days. (I am not a fast reader.) Retrospectively, I wonder if I waited to read it because I subconsciously knew I needed time to digest my father’s death before reading about Paul Kalanithi’s death. Or maybe I was jealous of the way Paul passed away — not jealous of his age or his condition but of his ability to process his oncoming death in a way that my father mentally could not.

Either way, this book helped me process not just my father’s death, but death in general, which was something I desperately needed. After reading this book, I have accepted that ultimately we all face death and never know when it will hit us. In the way mortality often does, this memoir reaffirms the necessity  of living life to the fullest and cherishing each day. But it also tells us that it is okay if certain dreams aren’t achieved in our lifetime. It’s not what we do that’s important, but who we do it with and how we lived — in more general terms. Though he spends most of his life seeking the meaning of life and death, Paul Kalanithi doesn’t find his answer until his end. But he does the most heavenly, generous thing of all: he gives us all a glimpse into what he learned, in the hopes that we will all live more fully. So I will do that — for Paul and for my dad.

Get When Breath Becomes Air in hardcover for $17.50.

Or on your Kindle for $12.99.

Leave a comment

Filed under Reviews

Movie vs. Book: IT

41acskyedwl-_sy346_Contributed by Michelle Baker

**SPOILER ALERT: This review includes spoilers from both the movie and novel IT. Consider yourself warned. 

Over a thousand pages long, IT is more a story about the importance of true friendship and unity in the face of evil than it is a horror novel. The story follows seven friends in 1950s Maine who label themselves The Losers. They find solace in one another, and together they find a place to escape to, where they can be themselves. But there is something evil in Derry, and they have all seen something that has absolutely terrified them. One is chased by a giant bird, another a mummy; the girl hears voices down her bathroom drain and is subsequently met with a deluge of blood from said drain. The adults don’t see these things, so they don’t understand what scares the kids so much. 

The story is told in two intersecting parts: flashbacks of the Losers in the ‘50s and the Losers coming back to Derry as adults almost thirty years later. They are called back by Mike, the one member of the group who stays behind to keep an eye on the evil. He soon realizes that they didn’t defeat It as kids, and the only way to stop  children from disappearing or turning up mutilated is to fight It again. Once together, they acknowledge  working together to defeat It is the only way to save their hometown.

My initial thought about the movie is that Bill Skarsgård gives an incredible performance as my new biggest fear. But director Andy Muschietti also makes a few alterations to the novel, particularly by not cramming the entire novel into one movie: Chapter 1 is only about the children, and Chapter 2 (which will be released in September 2019) will be about the adults. By doing this, he ensures that the character development isn’t rushed or forced.

That said, there are also uncomfortable changes like shifting Mike’s purpose as historian and watchmen to Ben in the movie. In the novel, Mike is the only son in the town’s only black family. Mike grows up learning the stories that taint Derry’s history from his father and informs the kids of the cycles of evil. He continues this tradition of historian into adulthood as the one who calls the group back when the patterns reemerge. But in the movie, Mike doesn’t come into the action until almost halfway through the movie, and the information about Derry’s grisly past is provided by Ben. Mike merely seems to serve as “the token black kid” in the movie, and it’s awkward. 

Another big change involves one of the most controversial scenes in King lore: Each of the kids in the Losers possesses a strength, and when they are together, these powers are almost unstoppable. After they battle It for the first time as kids, they try to leave the sewer system but find their powers weakening. As a way to reunify and gain back their powers, Bev suggests all six boys in the group have sex with her. There aren’t enough words to describe how uncomfortable this was to read. The thought of this girl losing her virginity to her six best friends in the sewers of her hometown after battling a centuries-old evil creature made me feel privy to something extremely sensitive. 

But I do, in a strange way, understand King’s logic. The overall message of the book is the complexities of navigating the transition from childhood to adulthood, and it is clear in this scene that the “It” the kids ultimately face is not a clown, mummy or  bird, but being a grown up. And what’s more “grown up” than “doing it”? Sex is weird and messy, as is this scene. I concluded King chose this as the method of unification because what we don’t understand is scary. Bev Marsh doesn’t understand why this act will unite them, but she just has a feeling that it will. And she’s right. They make it out of the sewer, agree to come back if It ever does, and go home as if nothing happened.

The movie, thankfully, does not depict a multiple child sex scene, but instead offers up a reduction of the strong female character in the group to a damsel in distress. Bev is taken by It to the sewer where she catches a glimpse of It’s Deadlights–supernatural lights that cannot be comprehended by the human mind and that can drive the viewer of them to insanity. As a result, Bev is stuck in a catatonic state floating in It’s lair. The boys band together to save Bev and fight It, and Bev is awoken from her stupor by a kiss from Ben. (Seriously, why did all of the important elements of the story get shifted to one character?!)

While I am glad the scene was altered, there is something to be said about the printed Bev. In the novel she is strong, capable of making decisions, and is the one to get the group to focus on their shared goal when everything seems to be going wrong. In the movie, she is just a girl who needs rescuing. She is not taking control over the situation, nor is she coming to understand the power that she holds as a woman. She is filling the Hollywood script mold of Girl in Trouble.

Stephen King, who raised by his mother and aunts, has always had a knack for creating strong female characters with whom one can empathize and relate. Bev in the movie is only strong when she is flirtatious, which is a far cry from what King created. The movie was a great interpretation of the text, full of shocking, scary, and thought-provoking scenes and special effects. However, considering the changes made to some of the novel’s substantial characters, I would have preferred if the credits said “Loosely Based on the Novel by Stephen King.”

Get IT in paperback for $13.16. 

Or get it on your Kindle for $11.99.

Leave a comment

Filed under Movie vs. Book, Reviews