Tag Archives: young adult

Movie vs. Book: Wonder

Auggie Pullman is a wonder. The fact that he’s made it to his tenth birthday is a wonder. The fact that he agrees to go school starting in fifth grade is a wonder. That’s because Auggie was born with a number of different medical conditions, resulting in severe deformities in his face. Countless surgeries have helped improve the way he hears, sees, eats and looks, but his face still looks unlike most other 10-year-olds. Until now, he’s been homeschooled by his mom, and he is brilliant. But ultimately his parents decide it’s time to acclimate him to other kids his age, so they enroll him in private school.

The transition is anything but easy. The children claim he has “The Plague” and avoid touching him. They compare him to movie characters who have had their faces badly burned in fires. He is bullied and frankly, psychologically tormented. But because of an orientation that introduces him to a few kids, he finds a friend in Jack Will. Jack Will and a girl named Summer become his two friends in a sea of bullies, until he overhears something one day that makes him think it’s all been a lie.

The book varies in narrators, going back and forth between Auggie, Auggie’s older sister Via, Jack Will, Summer and several others. Each of them are going through a tough time, mostly because of the drama that comes with being close to Auggie. But they love him despite it all. That loves forces them to stand up for him to everyone else.

Wonder is a beautiful young adult novel about friendship, love, kindness, and character over looks, and the movie follows the story closely bringing along with it the emotional impact that book left on my heart. Yes, both the book and movie are tearjerkers. And yes, as per usual, the movie eliminates some things. It cuts out one of Via’s friends entirely. It also decreases the number of narrators (the book has a few sections narrated by some tertiary characters as well) and removes the book’s epilogue. But none of these changes affect the story in any way or the intention behind any of the characters and their actions.

While reading the book, I wondered (see what I did there??) how the movie would pull it off. After all, the book revolves around mostly 10-year-old boys and girls. Would casting agents be able to find as many young actors as was needed for this story? But they did! Jacob Tremblay plays the perfect Auggie and with Julie Roberts and Owen Wilson playing his parents, there’s a good balance of emotion and humor.

It’s also fair to say both the book and movie should not be read and seen by just children or young adults, but by adults too. After all, we could also use a good lesson in how wondrous kindness can be.

Get Wonder in hardcover for $10.19. 

Or get it on your Kindle for $9.99.

Advertisements

Leave a comment

Filed under Movie vs. Book, Reviews

‘Pretty Little Liars’ Author To Debut First Adult Fiction Novel

the-elizas-9781501162770_hrShe’s already published dozens of books, had them adapted for television and became a huge bestseller, but now Pretty Little Liars and The Lying Game author Sara Shepard is set to release her first adult fiction novel.

According to Entertainment Weekly, The Elizas is about a debut novelist (sound familiar?) named Eliza who claims she was pushed when she was found at the bottom of a hotel pool. Her family assumes it was just another failed suicide attempt. In an effort to prove them wrong, Eliza begins to investigate her own death and find that her life and character’s life are intertwining. Memory loss from the accident doesn’t help either.

Creepy, huh? Shepard knows a thing or two about creepy thrillers.

The Elizas is set to be released on April 17th. EW has an exclusive available excerpt now.

Leave a comment

Filed under Author News, News Articles

‘Glee”s Chris Colfer Lands New Book Deal

chris-colfer-talks-new-book-stranger-than-fanfiction-at-ew-popfest-04As the Fox TV hit show “Glee” was winding down, star Chris Colfer was already working on his next project, a book series for children called The Land of Stories. 

Fast forward four years, and according to Entertainment Weekly, Colfer’s books have spent 48 weeks on the New York Times bestseller list. So it should be no surprise that he’s landed yet another book deal. He’s writing an insider’s guide to The Land of Stories as well as two books in a new series.

The insider’s guide is set to be released next fall. The new series is set to be published in 2019.

This comes after Colfer partnered with Twentieth Century Fox and Shawn Levy’s 21 Laps to adapt The Land of Series into films. The first film, The Wishing Spell, will mark Colfer’s directorial debut.

Leave a comment

Filed under Author News, News Articles

Review: Lord of the Flies

lordofthefliesbookcoverRecap: The age-old story of a group of people abandoned and trapped on a deserted island basically originated in the 1954 classic novel The Lord of the Flies. A plane crashes on an island, leaving just a group of young boys to fend for themselves without grownups. Their first goal is to be saved. But as time passes, their new goal is to survive, and it proves more difficult than they imagined. After just one day, one of the boys goes missing and is never seen or heard from again. Ralph declares himself the “chief” of the group from the start, using a conch shell as his loudspeaker to call meetings to order and to organize plans, rules and work groups. Piggy, though annoying, becomes his much more logical and intelligent sidekick — or thorn in his side as the case may be. And then there’s Jack, who initially competes with Piggy for Ralph’s attention and then later competes with Ralph for his title.

As time goes on, tensions rise. Ralph is trying to convince the group to bathe every day, go to the bathroom in designated areas and most importantly keep a fire going at the top of the mountain in the hopes a ship will someday see smoke and save the boys. Jack directs his focus in another way: hunting. He becomes obsessed with hunting for pigs. Savagery becomes a source of power for Jack, and most of the other boys follow suite.

AnalysisLord of the Flies is one of the best novels of all time for a reason and remains just as powerful a read for an adult as it is for the teenagers who typically read the book in school. The struggle between order and savagery proves to be the innate struggle in any society, including our own no matter how “modern” we may think we are. That also makes the book particularly relevant now in the United States, a country divided much like the boys on the island are.

Perhaps some of the best parts of the novel come from its symbolism and foreshadowing. As time passes, the conch pales in the sun, which is a clear sign of the conch and the order it represents losing power. The boys are also constantly talking about the desire to hunt pigs, while one of the characters’ names is Piggy. If that’s not a sign of what’s going to happen to him, I don’t know what is. The “flies” in the title represent death, like the flies that typically surround dead bodies. The many “light” references included in the book are obvious signs of the “heaven” that comes after death and/or the heaven that the island appears to be initially, but so clearly is not. The list goes on and on.

There is so much to unpack, interpret and analyze. There’s so much that can be compared to other great classic novels (my personal favorite is the line the “green lights of nausea,” which immediately reminded me of the “green light” in The Great Gatsby). Ultimately The Lord of the Flies remains a great novel because of the one simple and terrifyingly haunting truth it proves: there is darkness in all of us, and when things are as bad as bad gets, we can’t stop it from coming out.

MVP: Piggy. Even Piggy “breaks bad” to an extent, but it’s much less severe than most of the other boys. His intelligence could have saved the boys very early, but his lack of confidence stops him from doing so. His story is a sad, pathetic tragedy, but a fascinating one.

Get The Lord of the Flies now in paperback for $11.48. 

Or on your Kindle for $9.99.

Leave a comment

Filed under Reviews

‘X-Files Origins’ YA Books Due in January

If you’re a lover of The X-Files and the recent reboot wasn’t enough for you, there’s no need to worry. According to Entertainment Weekly, just after the new year, a pair of young adult fiction novels will be released detailing Mulder and Scully as teenagers in the late 1970s.

The X-Files Origins: Devil’s Advocate and The X-Files Origins: Agent of Chaos are set to be released on January 3rd and tell the stories of how events in Mulder’s and Scully’s lives led to the professions they entered.

Honestly, I don’t know that adults will be rushing to the bookstore to pick up copies of these books unless it’s for their children. This is clearly the authors’ and publishers’ attempt at trying to pull a younger audience into The X-Files fandom. If successful, it would certainly give young kids something to talk about with their parents. But that’s if it succeeds.

Entertainment Weekly has several excerpts from the new books. 

Leave a comment

Filed under Reviews

Harry Potter Exhibit in the Works

rowlingDid I call it or did I call it? J.K. Rowling et al keep finding ways to make Harry Potter relevant. According to Entertainment Weekly, a new Harry Potter exhibit will open next year at the British Library.

The exhibit will commemorate the 20th — can you believe it?? Yes, I said 20TH! — anniversary of Harry Potter and the Philosopher’s Stone, the first book of the Harry Potter series (aka Harry Potter and the Sorcerer’s Stone in the U.S.). The exhibit will include things from J.K. Rowling’s archives and other goodies from British publisher Bloomsbury. The exhibit will be open October 20, 2017 until February 28, 2018.

All of this comes with the news that the latest addition to Harry Potter‘s universe, Harry Potter and the Cursed Child, has sold more than three million copies.

Leave a comment

Filed under Author News, News Articles

Review: Harry Potter and the Cursed Child

harry-potter-cursed-child-poster**Spoiler Alert: This review does contain spoilers about the latest edition and all books included in the Harry Potter series.

Contributed by: Sam Sloan, friend and high school English teacher

1. First of all, the obvious, what did you think? How did the feel of the play compare to the Harry Potter novels?

Having only read each Harry Potter novel once, reading the play gave me flashbacks of sitting down with the fifth novel. I had swallowed up the first four novels in late middle/early high school. I have a clear memory of taking the fifth one from my sister’s bedroom and giddily running off to my room to start it, excited to be reunited with old friends and to see how life would be after the horrors of the Triwizard Cup.

When I read the play, I felt my old friends had, like me, had gotten older but maybe not any wiser. They had some of the same problems with adulting that I have– despite having saved the world, Harry still struggles with doing what’s right and facing his past and adolescent children who struggle beneath the shadow his celebrity casts upon them. (I haven’t saved the world, but isn’t that the secret dream of any high school English teacher?)

Unlike the novels, the play forced me to stop and actually imagine a stage upon which this action would take place. Reading the novels allowed me to totally immerse myself in a make-believe world of dragons and Quidditch. This was a little different, as I had to imagine what this would look like on a Muggle stage.

2. What was it like reading Harry Potter in play format? How did the format affect or not affect the story?

Personally, I like reading plays because the stage directions are more than just adverbs that describe how a character should deliver a certain line. A narrator that is actively a part of the play gives the audience information about why something is happening, and the stage directions provide a reader with insight and background information that the reader might not necessarily receive through the delivery of lines. When the reader gets to read this, it helps to better create those characters on that stage in their minds.

3. Did you have a favorite new character?

Scorpius Malfoy. He’s self-aware: he knows the rumors about him, but he also knows that his parents didn’t want to raise him the way Lucius raised Draco. His mother is a tender character, who obviously enhanced his sensitivity and ability to tune out gossip. His innocence and desire for a friend melted my icy Slytherin heart. And he also validated my love for Slytherins. Scorpius is so the opposite of his father when Draco was a child and is such a good contrast to the moody, resentful Albus.

His crush on Rose and his desire to make sure that he and Albus didn’t create a Rose-less world was heart-warming. It’s nice to see that Draco and Astoria Malfoy raised their son to be the opposite of Draco or his horrible little friends. Not all Slytherins are jerks, and Scorpius proves that.

4. What was different from the books? (You mentioned some changes with the magic itself and also the inclusion — or lack thereof — of certain characters.) Did you like these changes? Was there a reason you think they were made?

Being that I only read the books once, a lot of the magic rules were foggy in my mind. I remember that Hermione had a time-turner in the third book to help with her class load, but I didn’t remember the parameters of using a time-turner. I did a quick Google search to refresh my memory (big shout out to the Harry Potter Wiki page).

Whether or not the “rules” of some of the magic were followed to a T is hard for me to say, but the magic served its purpose for the means of a play.

One thing that irked me was that Neville was frequently spoken about between the characters but didn’t make an appearance. Thanks to the time-turning, Harry’s dreams, and the talking paintings of the magic world, the reader was reacquainted with Snape, Hagrid, Dumbledore, and Cedric, but not Neville.

Neville spent his whole childhood being put down by his peers and even his own grandmother, but he played a crucial role in Voldemort’s defeat. He easily could’ve been included. Disappointing, to say the least, because I consider him as heroic as Harry, Hermione, and Ron. It was as if he were still being picked on.

Also surprisingly left out was Luna Lovegood. The big difference between her omission and Neville’s is that she was not even mentioned by other characters in passing. She was good enough for Harry and Ginny to name theirdaughter after her, but not good enough to include in the play? Hmph.

harry-potter-cursed-child-poster

It was nice to have an additional story, but it wasn’t necessary. I really did like the way the series ended. Good triumphed over evil. For the first time in his life Harry Potter was as close to normal as he could ever be. Ron and Hermione wound up together (despite me not being able to understand how the lovable Ron tolerated her know-it- all, sometimes obnoxious attitude). Draco Malfoy learned the difference between doing what’s right and doing what’s popular. I like that ending!

But like I said, it was like visiting old friends. I liked being able to hear Snape’s voice in my head again. I felt a crushing sadness when Harry spoke to the painting of Dumbledore about being a father. It was wonderful to be in that world again. But I didn’t need to be. The novels can stand the test of time through their themes of friendship, generosity, and tolerance; the play emphasizes and reminds the reader of those themes, but Potter fans likely haven’t forgotten them.

Leave a comment

Filed under Reviews